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Wednesday, August 19, 2009

CSI Miami “Out of Time” Season Premiere Photos, Episode Information

The first episode of season 8 for CSI Miami (CBS) goes backwards in time before the season can go forward. As viewers are aware, the end of last season left Eric Delko (Adam Rodriguez) driving away with his father. The car later is found crashed in a pond and while Eric’s father is there, injured, Eric is nowhere to be found. Since it’s no secret that Adam Rodriguez is leaving CSI Miami, it should be no surprise that the new season begins with Eric in a coma. The episode also involves flashing back to 1997, and the early days of the Miami Dade Police Department, to give insight on how the team became the people that they are in the present day.

We learn a few tidbits of key information as evidenced by these photos and other general information leaked about this episode:

1. Horatio Caine (David Caruso) actually wore white shirts! (He looks better in white, I think)

2. Eric Delko may be the person who started Horatio on his obsession with sunglasses. (It could be because the glare from the white shirts were too much for Horatio when he looked in the mirror.)

3. Frank Tripp (Rex Linn) had hair. On his head, that is.


The show also introduces the new character Jesse Cardoza (Eddie Cibrian) who first shows up in the flashback, but will later return to Miami in the present time. Khandi Alexander also returns in the flashback as ME Alexx Woods.

It hasn’t been made quite clear in how many episodes Rodriguez will appear, so fans will just have to wait and see.

It sounds like an interesting premiere, and long as they don’t “cheese” it up to badly. Enjoy the pictures below that CBS has released for “Out of Time.” (The season premier is on Monday, September 21 at 10 PM.)


























All Photos ©2009 CBS Broadcasting Inc.


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Tuesday, August 18, 2009

Raising the Bar “Bobbi Ba-Bing” One Loss, One Win, One Reconciliation


Jerry Kellerman (Mark-Paul Gosselaar) loses a case to Marcus McGrath (J. August Richards) but wins back Bobbi in this episode of ”Raising The Bar” (TNT) “Bobbi Ba-Bing.” Jerry defends a man who stabbed another inmate in prison. The problem is complex for Jerry because the man appears to have been wrongly incarcerated, but Judge Ventimiglia (Jon Polito) won’t let Jerry bring that piece of information into evidence. The man, who had been constantly beaten by prison gangs, was told by the gang to stab a rival rang member if the man wanted the beatings to stop. The gang also had threatened his brother. Despite the defendant’s impassioned testimony and Jerry’s good summation, he is found guilty.

But a twinge of jealousy hits Bobbi Gilardi (Natalia Cigliuti) when Jerry gets flirty with a young, attractive woman who is testifying as an expert witness for Jerry. When Bobbi’s jealousy becomes obvious to Jerry, he reminds Bobbi that she is the one who pushed him away. Apparently Bobbi comes to the conclusion that if she wants Jerry she needs to stop alienating him and isolating him. When Jerry returns to the office after losing his case, he finds a messages left on his desk, pointing him to a map telling him where to go. He doesn’t know who left the message but he goes there anyway – it’s a hotel bar. When he sees Bobbi waiting there, he’s pleasantly surprised, and even more so when she hands him a hotel room key card. Needless to say, they make use of that hotel room.

Roz (Gloria Reuben) and members of her staff are conducting interviews for a new staff member. One person, Ashlee (Autumn Reeser) wins out when she gives information to Richard Woolsley (Teddy Sears) during the interview process that would help him to get the charges dismissed against his client, a homeless panhandler who was arrested for loitering. Teddy seems pleased with this new hire, until Ashlee goes overboard and decides to create a class action suit against the DA and the city for wrongfully arresting their client and others like him. Teddy tries to slow her down and tells her it needs Roz’s approval. Roz also wants Ashlee to cool her jets, but tells her – with Teddy riding shotgun - to take the individual case for Teddy’s client to the city’s lawyers to see what she can shake loose. But Ashlee goes overboard after she feels the city’s attorney is blowing them off, and tells the attorney that a class action suit is in the works. This brings the smarmaliscious Nick Balco (Currie Graham) to the public defender’s office to see Roz, a move that seems to cause mouths to drop in the office. Roz uses it as a chance to get Nick to get a better offer for their client when she back off the class action suit, a case she really didn’t want to take on anyway, but Nick didn’t know that.

When Teddy and Ashlee take their homeless client to an apartment that will be paid for by the proceeds of this settlement, the client is grateful. Teddy seems to have shown Ashlee that their cases are not always about catching the big fish every time.

All in all, this was a very satisfying episode. Teddy managed to win his case and satiate his need to do good. Even though Jerry lost his case – in real life you don’t win them all – he still managed to get Bobbi back in the process.

The season finale is next week, and I have to say that I am sorry that it is coming so quickly. I have come to really enjoy this series and hope next season they offer more episodes.


Clip of “Raising the Bar: Bobbi Ba-Bing”


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Monday, August 17, 2009

Dylan McDermott: The New Horatio Caine

I’ve been watching TNT’s new show Dark Blue” for a few weeks now, and it’s left me rather cold. There was something not quite right with it and I hadn’t been able to figure it out until last week’s episode titled “August.” By the way, I have no clue as to why it was given that title because I couldn’t find anything that tied to it in the story.

The problem with “Dark Blue” – besides the flat acting, a cast of characters with no chemistry, some unrealistic scenarios, and clichéd dialog – is the lead character of Carter Shaw, played by Dylan Mc Dermott. My epiphany came to me during this episode when, in one scene as Carter goes to visit one of his team members who is undercover in jail, and Carter is wearing sunglasses, which he removes as he sits down. Bingo! Horatio Caine, I thought. It’s the same combination – bad acting, bad dialog, unrealistic scenarios, and sunglasses. I was watching a new, dark haired Horatio Caine-like character in action. I laughed long and hard, and then the show just became funny to me.

But seriously, Horatio Caine aside, the show is pretty implausible. Carter is able to assemble a team and seemingly go undercover and infiltrate just about any group at any time, and creating identities and getting the needed tools and equipment for his team in a flash, all from working inside what looks like a dark warehouse. In the first episode, Carter adds a woman to the team, Jamie (Nicki Aycox) and she has a past that she wants to keep secret. Of course, Carter finds out what she is hiding, but he gets her for the team anyway, despite the fact she seems to have almost zero experience in law enforcement. We all know he needs a woman for his undercover work so he has someone who can wear sexy clothes in the course of doing their work. Of course, Jamie needed an excuse to dress provocatively in “August” so she earned her keep.

Also poorly cast is Logan Marshall-Green as Dean Bendis. It seems they want to create some working tension AND sexual tension between Dean and Jamie. Sadly, there is no chemistry at all between them so the effort falls flat. Green is far too bland for the role.

The one thing I have yet to figure out is how these people can repeatedly work undercover in the same general area and not have someone be aware of their real identities as undercover law enforcement agents. In many cases they use the real first names (as Ty did in “August”) and since they seem to work consistently in the LA area, one would think their faces would get around as being undercover people. I know LA is a big city, but still, criminals DO talk. And speaking of going undercover, they make the act of infiltrating their targets too simple. Sure, criminals can let their guard down, but it seems that the criminals in these cases are far too trusting of outsiders, which makes the scenarios seem unrealistic.

The dialog is also hopelessly weak, almost as if someone was trying his/her first hand at writing a script and using every trite line in the book. I’ve read bad fan fiction that is better that the dialog in “Dark Blue.”

But Dylan Mc Dermott in those sunglasses – that was it for me. Once the Horatio Caine image crept into my mind, all hope was lost for this show, as far as I am concerned. I will probably finish watching the series just to have something to watch, but won’t be back in the event that this show gets renewed.

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Mad Men “Out of Town” Boils Over




The third season of Mad Men titled “Out Of Town” returned, taking viewers farther down the timeline than when we last left the series in season 2. And like the milk that Don Draper (Jon Hamm) is heating for his wife Betty (January Jones), things heat up and boil over quickly. It seems that things haven’t changed much – Don Draper is still a philanderer, Pete Campbell is still a spoiled brat, Peggy is still fighting to be treated as an equal to the guys. There is still drinking and smoking, and great period fashion – although in one scene I detected breasts having a modern-day enhanced appearance along with the 1960s underwear. The episode did not disappoint, providing drama in both the boardroom and the bedroom. Sal secret was exposed, but luckily only to Don, who has plenty of secrets of his own and who seems to have no desire in outing anyone.


The episode begins with Don Draper daydreaming – or night dreaming since it happens at night – over warming some milk for his wife to help her sleep. Betty is now very pregnant. He’s thinking about his mother, who just had a miscarriage, and a woman who I assume was a midwife saying God will give her another child. The woman’s husband makes a heartless comment about her killing another one. Later, he imagines a young man who resembles a young Don offering a woman $.85 for a roll in the hay She tells him is he gets her in trouble she is going to cut off his dick and boil it in hog fat. Of course, she does get “in trouble” and as she is in labor having the baby, she repeats her comment that she is going to cut his dick off and boil it in hog fat.

Meanwhile, the milk is boiling over.

Later, this midwife drops off this baby to the woman who is Don’t mother, reminding her that she told her God would give her a child. She says the baby’s name is Dick, after a wish that his mother should have lived to see. And this is how Dick Whitman – who we know as Don Draper, came to be.

Don takes the milk in to Betty in an attempt to help her sleep, her advanced pregnancy causing the sleeplessness. She tells him she packed his suitcase but alerts him to the fact that their daughter Sally took a hammer to it, “like a little lesbian.” Don cuddles to Betty and tells her to imagine herself on a beach in hopes to get her to relax.

Back at Sterling Cooper, Peggy (Elisabeth Moss) is in her office, trying to raise her secretary Lola on the intercom. She steps outside her office and sees that John Hooker (Ryan Cartwright) the secretary to Mr. Price (Jared Harris) is flirting with her. Peggy is not happy at this and lets Lola know it.

Meanwhile, Mr. Price, who I believe is the new CFO representing the new British parent company to Sterling-Cooper, is in Bert Cooper’s (Robert Morse) office admiring a rather suggesting painting. He is there with Cooper and Don walks in. The have a brief discussion about the London Fog account, with Price saying there was no fog, just coal dust from the industrial age. It seems the reason they are gathered there to fire Burt Peterson (Michael Gaston) who is the head of accounts. With Roger Sterling (John Slattery) late for the meeting, they go ahead with it anyway, with Don saying how hard it is to fire Burt. They give Burt a severance check, and say they held off on the action because they knew his wife was undergoing radiation. Roger enters the party late, saying how hard this is. But Burt gets upset and says they will regret losing him and his Rolodex (meaning his list of accounts).

After Burt leaves the office, his rage gets control of him and he begins to yell loudly and knocks things off of desks, and tells price’s secretary John Hooker to drop dead, referring to him as a limey son of a bitch. Pete Campbell’s (Vincent Kartheiser) secretary tell him Mr. Price wants to see him, and Pete gets rattled.

Joan Holloway (Christine Hendricks) tries to placate Hooker after the name calling, but he laces into her about the lack of respect her is getting, saying that he is Price’s right arm, not his “secretary” or typist like the other women.

Pete goes to Price’s office, and his discomfort and nervousness is obvious. He doesn’t sit down, and after trying to make nice talk with Price, Price tells him that he is making Pete the head of accounts but to keep quiet about it. Pete leaves Prices office and calls his wife Trudy (Alison Brie), giving her the happy news. Pete realizes he never asked Price if this meant a raise.

But shortly thereafter, Price has called Ken Cosgrove (Aaron Staton) into his office, and Ken sits right down and makes himself at home. Price offers him the same job he just offered Pete, and Ken accepts it gladly, outwardly happy. Price shakes his head as Ken leaves, likely thinking about how both people reacted to the news of their new job.

Elsewhere, Don and Sal (Bryan Batt) are on a plane to Baltimore for the London Fog account. A stewardess comes on to Don. She tells him she saw his name on his luggage as Mr. Hofstat, and then tells them where they are staying, which happens to be the same place as Don and Sal, so you know she wants to hook up. Don does not let on to his real name, but tells Sal that a relative borrowed his luggage and left his name on it.

Back at the office, Ken and Pete ride down in the elevator together, complementing each other, thinking that they were going to be the other’s boss, not realizing that Price has something else in mind.

Back in Baltimore, the stewardesses flirt with Don and Sal, and the pilot is also there. They think Don and Sal are accountants and Don implies they are working for the feds. Later, while Don and Sal head to their rooms in the elevator, Shelly the stewardess is there, and a bellhop also enters and leaves the elevator. Sal gets off on a lower floor, but Don and Shelly continue to go up, and Shelly follows Don to his room. She pulls him to her and they kiss, with Don not seeming to respond at first. But of course he succumbs, and while in his room, he watches her slowly undress, and she is wearing typical 1960s underwear – although her breasts have a modern day implant look to them.

Meanwhile, Sal has flopped onto his bed, and then goes to turn on the air conditioning, which doesn’t seem to be working. He calls the front desk, and they send up the bellhop. After the bellhop fixes the air conditioner, he makes move on Sal, much to his surprise. As Sal succumbs to the turn of events, the fire alarm rings, and the bellhop tells them to get out of the room. As they scramble to get dressed, Don, who is running down the fire escape with Shelly, runs past Sal’s room and looks into the window, and yells for Sal to “come out.” But he then sees the bellhop running around getting his clothes. Sal gets a look of worry that his secret may be out. While they stand on the street. Don looks at Sal and Sal looks concerned.

Back at Sterling Cooper, Peggy runs into Joan at the elevator and makes small talk about Joan’s engagement ring. But Peggy complains about Lola and her flirting with "Moneypenny” – meaning Hooker – and when Joan says he doesn’t like to be called that, Peggy is surprised Joan is defending him. But Joan tells her Hooker is repellent and she can’t wait until she gets out of there (meaning getting married and then quitting).

When Pete’s secretary congratulates him and tells him there is a meeting for the “heads” of accounting, he gets confused, and she clarifies it is a meeting with him and Ken. He gets visibly upset.

Back in Baltimore, Don and Sal meet with the London Fog people, and realize that the owner has concerns about the continued viability of the line. But Don reminds them that London Fog is a 40 year old brand and that there will be good years and bad, but there will always be rain.

Back at the accounts meeting, Joan is reading off the list of accounts as they are being split. Ken takes notes; Pete sits there and stares. Price reminds them they are each getting half the company and hopes one of them will distinguish themselves. When they leave the office, Pete asks Ken if he is upset and just hiding it. He then insults Ken by asking him why he even took the job because he’s no good. But Ken says the bosses want them to hate each other and he just won’t participate in that.

As Sal and Don are on their return flight, Sal is still clearly unconformable with what Don saw. But Don leans over and says he is going to ask Sal something, and he wants Sal to be honest. Sal looks worried, but Don instead lays out an ad scenario for London Fog, saying, "London Fog, it's a subway car and there's a commuter looking up, there's a girl with her back to us, she's wearing one of those short tan ones but it's open, her legs are bare, we know what he's seeing. 'Limit your exposure.'" Sal says, "That's it." Don looks back at him, pauses and says "good." Sal sits back and begins to relax. Of course, Don has managed to get a sublte warning in to Sal to watch himself so his secret is not exposed.

Back at the office, Joan brings Hooker to Burt Peterson’s office and suggests they use it for visitors but that Hooker can use it in the meantime. She also says she will get him a secretary. He’s very happy about this. Later, though, when Hooker takes credit for the idea with Mr. Price, Price indicates his displeasure with Hooker using the office and tells him he wants Hooker sitting outside the office, not in it, citing the fact that he just fired quite a few people in the office.

Trudy decides to pay a visit to Pete, who is still fuming about the split responsibilities. Trudy brings him back down to earth, telling him not to sour this amazing opportunity. She tells him they don’t want his outrage, they want his good work.

Later, when Sal is showing Kinsey (Michael Gladis) and Harry (Rich Sommer) the ad, they all like it. The only problem is that the person wearing the London Fog coat looks like a flasher. They ask Sal how it was in Baltimore with Don, and Sal says it was just two old married men and there was a fire, too.

Don is in his office, typing. Roger walks in with some Stoli and cigars. They talk about Ken Cosgrove and Pete Campbell, and Roger says he thought it was a joke at first but thinks it comes from the home office. When Pete comes in to speak with Don, he sees Roger and changes his approach, saying he's honored by the promotion. Bert Cooper comes in and says that a local politician is looking for some help and Pete says it would be his pleasure..

When Don gets home, Betty is in the bedroom and she calls Sally in to confess about the suitcase. Don tells her she will take the costs out of her allowance. When she says she. s she doesn't have an allowance, Don tells her not to break things then. Sally says she did not want him to leave. He says she will always be his girl, and he kisses her on the head. While Sally starts to go through the suitcase, she finds stewardess wings and asks if they are for her. Don looks a bit surprised to see them in there, but says they were for her. Betty puts them on her, and Sally asks if she was really once “in there”, meaning in Betty’s pregnant belly. Betty says yes, and Sally asks to hear about the day she was born. But while Don starts to speak of it, he falls asleep and Betty finishes the story.





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Tuesday, August 11, 2009

Raising The Bar: “Making Up is Hard to Do” A Reality Check


Last night’s episode of Raising The Bar, “Making Up is Hard to Do” (TNT) had everyone trying to fix problems, some of them of their own making.

Jerry Kellerman (Mark-Paul Gosselaar), who sometimes seems clouded by his belief that all his clients are good (and innocent) people, makes an error when he doesn’t really listen completely to what his client, who is refusing plea deals, has been saying. When he gets his boss Roz (Gloria Reuben) involved, she is able to extract an admission from Jerry’s client, and she finds that he only said he was not guilty because he didn’t want to disappoint Jerry, who had helped him in the past. Jerry, on the other hand, didn’t seem to be hearing his client because he didn’t want to disappoint him either. The end result was Jerry and his client passed up on a decent plea deal, and when Jerry tries to get that deal again from Marcus McGrath (J. August Richards), Marcus first tells him no, and then succumbs and says he will take the issue up with his boss, the smarmy Nick Balco (Currie Graham).

Marcus does as he said he would, and takes the issue to Nick, who proceeds to chastise Marcus for caving in to his friend Jerry. Nick tells Marcus to tell Jerry there will be no plea deal. Jerry breaks the bad news to his client, and at the end, Marcus makes the first move to patch things up with Jerry while they sat at the bar at their usual watering hole. Jerry tells Marcus that Marcus doesn’t know his client, but Marcus reminds Jerry that Jerry didn’t know the woman that his client had assaulted and robbed, and that this woman had worked two jobs to put several kids through college. In this case, Jerry showed that sometimes he looks at his clients with rose-colored glasses, and that he needs to take more time to really listen to his clients.

The more involved case in this episode involved a woman that Bobbi Gilardi (Natalia Cigliuti) represented, who was accused of smuggling drugs. The woman claimed it was a simple case of her picking up the wrong luggage off the bus. But prosecutor Michelle Ernhardt (Melissa Sagemiller) has help from the man she’s sleeping with who also happens to be the detective who caught the case, Tim Porter (Josh Randall). She doesn’t know right away that it’s not the kind of help she needs. At first, Michelle is worried when a key piece of evidence – the cocaine the woman was allegedly carrying – can’t be found in the evidence room. Porter tells her not to worry, and magically has the evidence ready on the day of the trial and for his testimony. But when Bobbi challenges the evidence – it seems the evidence form attached was a copy and not the original – Bobbi annoys Judge Farnsworth (John Michael Higgins) by voicing a lengthy objection. Bobbi’s objection is reviewed and overruled in chambers, where Farnsworth tells Bobbi he’s not into conspiracies. Personally, I am enjoying Judge Farnsworth far more than his colleague, Judge Kessler (Jane Kaczmarek).

Things get worse when one of the jurors comes forward and says she overheard Porter talking in the elevator with another person about the defendant’s prior arrest. Michelle seems to have a twinge of concern. When Farnsworth has the juror and the attorneys in chambers, the juror tells them there was another juror in the elevator with her who likely overheard the same comments from the detectives. But that second juror claims he heard nothing, as he was not wearing his hearing aid. Farnsworth only replaces the first juror who came forward and the trial goes on, and the defendant is found guilty. But Bobbi is on to the other juror who said he couldn’t hear the detective’s elevator conversation, and after the trial, she gets in an elevator with him as he is leaving. She asks him where is his hearing aid, and then tricks him into showing he can hear perfectly well without it by standing behind him and saying quietly his zipper is down. He knows he is caught, but when she pushes him to talk to the judge about what he did, he threatens to report her behavior to the judge.

Things seem to crash down on Michelle when she gets a phone call from the property clerk saying the evidence that could not originally be located was finally found. Michelle is stunned as she realizes that Porter faked the evidence. She storms over to his squad and she confronts him about the matter. He admits that he used a pack of books wrapped up to fake the evidence, that no one would have tested it to verify the contents. He said he got the scorpion pattern that was on the original drug evidence bag off the Internet. She also realizes that he really did talk about the case in front of the jurors on purpose to taint the jury, and then she calls their relationship quits, not a moment too soon.

Knowing she made a mistake and worried that should the case go to appeal and these things come out, and concerned that her affair with the detective/ key witness would be exposed, she runs crying to Balco. Balco, after handing Michelle a handful of paper towels to wipe her tears, agrees to help her out of the mess. We later see him – along with Michelle and Bobbi – in Farnsworth’s office where Balco expresses concern about the drug evidence paperwork question and the possibility of a tainted jury, and Farnsworth grants them a retrial. Bobbi asks to get her defendant released pending a new trial, and Farnsworth, asking Balco if he wouldn’t mind a lagniappe – a Cajun word for “baker’s dozen” or “a little extra” - gets Balco’s agreement. Everybody is happy, and afterwards Balco reminds Michelle that he expects her respect. I suspect he wants a little more than that from Michelle.

It’s great to see that Jerry Kellerman got a dose of reality, and hopefully he has learned that he can’t just drag his feet and then expect his friends to bail him out when he makes a mistake. Likewise, it’s good to see that Michelle has dumped Porter, who actually was beating out Balco on my smarm-o-meter. What is surprising to me is that while Balco expected Michelle to give him more credit and respect in the future, I found that I also had a little more respect for him and his way to work the system in this episode. But he still scores high on the smarm-o-meter.

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Monday, August 10, 2009

The Law & Order Franchise: Still Alive and Kicking

Regular readers of my blogs know that I have two blogs dedicated to the Law & Order franchise and the stars of the show, All Things Law And Order and These Are Their Stories. As the season ended last night for Law & Order Criminal Intent, and with the new season getting ready to start up in late September for the “mothership” Law & Order and Law & Order SVU, I thought it was time to turn a critical eye at the franchise as a whole.

Law & Order Criminal Intent just finished up their season with a fine finale, "Revolution" which featured the franchise’s newest detective, Zach Nichols, played by the man who was born with the word “quirky” tattooed on his behind (just kidding) – Jeff Goldblum. Off to a shaky start and after a producer was fired, Goldblum’s character seemed to become more comfortable, believable, and highly interesting as the first few weak episodes were history and the new producer and team took control. In fact, I think Goldblum has re-energized the show, and the fact that he played well off both co-stars Julianne Nicholson and Kathryn Erbe made the show even more interesting. After last season’s depressing turn with Detective Robert “Bobby” Goren, Vincent D’Onofrio had his work cut out for him this season, and his character still seemed to be carrying around the baggage of the bad experiences that Bobby had endured during the last season or so. Maybe the writers should take a cue from the Goldblum team and breathe some life back into what used to be a mentally agile, in-your-face, razor sharp Goren. D’Onofrio is such a skilled actor that his recent story lines are a waste of his talent. But for a series that NBC seemed to have given up on a few years ago, it has found a new life and resurgence on a network that cares (USA), and I see only good things for the show should it be renewed (no official word on that issue as of this writing).

Law & Order SVU’s most recent season, in my opinion, was a mixed bag. The series spent what seemed like too much time last season on personal issues for the characters, and on what I call ”for your consideration” episodes which seemed akin to begging for Emmy nominations for its key stars, Mariska Hargitay and Chris Meloni, along with using a gaggle of high powered guest stars. Don’t get me wrong, Mariska and Chris were key to the success of this series last season, and SVU has done very well in bringing out the talent with powerful guest stars such as Ellen Burstyn, Brenda Blethyn, and Carol Burnett, all who were nominated for Emmys. But the stories themselves seemed to suffer as a result, becoming more like a crime soap opera at times. After watching a fewer of the older episodes over the last week or so that were from the first few seasons, I have to admit that I miss the grittiness of this show. It also seems that they have gone out of their way to focus on crimes that don’t quite fit the “special victims” category, maybe in another attempt to give their key stars meatier roles. SVU is still a great show, but I admit that I am worried that the show has become more about the sizzle rather than the steak. And that may make the show tough to swallow if the trend continues.

Fans were concerned when Meloni and Hargitay were holding out in contract negotiations, but not me. After the many years of changes in the mothership series, I got used to cast changes and I felt comfortable that SVU could have survived without one or both of the top stars. In fact, with the large amount of male TV stars out there that could have fallen into the role if Meloni were to vacate his role, I envisioned the show actually being more interesting if one of the two stars left, and a cast change maybe bringing on a whole new group of fans. The show did well by cutting lose a deadpan Michaela McManus and by bringing back Stephanie March to reprise her role as ADA Cabot (with the obvious omission of any mention of her work as a bureau chief while on the series, “Conviction”). I think without March’s return, the season may have been just average. While some die-hard fans think I am too hard on Law & Order SVU, it’s only because I think it is sacrificing the quality of its story lines to become more of a character driven show.


Law & Order - the mothership, the original recipe, call it whatever you like - is going on its 20th season and showed more signs of life last season than it had in a long time. The season featured a slow buildup in tension for District Attorney Jack McCoy (Sam Waterston) as he fought to win the election and keep his office. The season ended with a rather delicious episode where Jack gets the upper hand against his opponent, and gets to bring down the governor in the process, but left fans hanging as to the actual outcome of the election. Of course, the show had the added bonus of a real live New York governor’s scandal during the show’s 19th season which gave writers a great chance to do some “ripped from the headlines” story-stealing, but at least they added a nice twist all of their own. In a change from her first season with the show, ADA Connie Rubirosa (Alana De La Garza) seemed to have softened her look and grew a backbone, and many times provided either a fresh approach to a case or a tidbit of information that helped win a case, proving she is much more than a pretty face. And while EADA Michael Cutter (Linus Roache) seemed to try to win most of has cases by some underhanded maneuver, he saved his best for last when he outmaneuvered the governor and got him to resign, all without McCoy’s knowledge or approval. Not to forget the detectives – Lupo (Jeremy Sisto) and Bernard (Anthony Anderson – who are starting to act more like real working partners. Sure there will never be another Lennie Briscoe (Jerry Orbach) but Sisto and Bernard seem better matched than Lupo and Greene (Jesse L. Martin). The only problem I see is that they still have S. Epatha Merkerson in a role that woefully underutilizes her talents. And by the way, either Sisto or Bernard needs to shave, because their facial hair looks too similar.

The bottom line is that the Law & Order franchise is one that still has a lot of life left in it, despite the rumors of the show’s demise over the years. Criminal Intent has found new life with the addition of Jeff Goldblum and likely some better writers and producers. SVU still has solid regulars on the show, and can command very high-powered guest stars, which help to draw viewers. And hopefully Law & Order will start the season with Jack McCoy having won the election as District Attorney, closing one story line, but maybe opening up more political trouble down the road for him and his staff. Yes, I’d say the franchise is still alive and kicking.


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Tuesday, August 4, 2009

The Closer “Identity Theft” Bait and Switch Case

Monday’s new episode of ”The Closer” (TNT) titled “Identity Theft” appeared to be one of those cliché’d cases where someone confesses to a murder to protect someone else. In this case, Russell Clark (Bruce Davison) takes a hasty plea deal for a murder of a doctor because he thought his son James (Michael Arden) was the killer. James was being treated by the doctor for schizophrenia, who was using alternative methods that weren’t working. Russell seems to be able to get away with his deception saying that he was angry that the doctor’s methods were not working, but during allocution, Russell’s version of strangling the doctor doesn’t coincide with what Deputy Chief Brenda Johnson (Kyra Sedgwick) sees in the crime scene photos. Compounding the matter is that the murder weapon had not been found. Brenda manages to get the DDA Andrea Hobbs (Kathe E. Mazur) to raise the issue to the judge, who grants them some time to sort things out. Commander Taylor (Robert Gossett) and Lieutenant Tao (Michael Paul Chan) try to deflect blame for not noting the discrepancy earlier; it seems that Hobbs rushed in to make the plea deal before they had a chance to really question Russell.

A new addition to The Closer mix is Brenda’s niece, Charlene (Kyra’s real life daughter Sosie Bacon), who has arrived for a visit with Brenda’s mother, Willie Ray (Frances Sternhagen.) When they arrive at the courtroom, the defendant’s son James seems to be smitten with Charlene – who by the way insists on being called Charlie. Brenda finds out later over dinner that Willie Ray is watching over Charlie for a while, as Brenda’s brother Bobby and his wife seem to be having troubles with her as of late. It seemed to me that Charlie was going through the typical teenage girl phase, but I guess these days, parents think that passing off their child to someone else is a good way to "fix" their child. In any event, Willie Ray knows she is in over her head with Charlie, and begs Brenda and Fritz (Jon Tenney) to take Charlie for the rest of the summer. Brenda signals an emphatic NO to Fritz, but when Fritz has a one-on-one with the frustrated Willie Ray, he caves in and agrees to take Charlie for a short time, much to Brenda’s dismay.

But things work out when Brenda decides to use Charlie as a way to get to James Clark. Since James seems so taken with Charlie, and since James has so many mental issues including claustrophobia, Brenda takes Charlie into the Major Crimes squad room and allows her to be very visible through Brenda’s glass-walled office in order to keep James distracted and calm. It seems to work, as James recounts his broken memories of the crime. It seems like James may have been the real killer, but the issue remains that the murder weapon was still undetermined an unaccounted for. Russell claims he strangled the doctor with his hands; James seemed to imply he may have done it with a sock. But the marks on the body indicated something much thinner which left a very distinctive mark.

Brenda has an idea, and goes shopping. She also arranges to get the murder victim’s wife Robin Milano (Cynthia Watros) -who had been earlier very frantically asking to get her property back from her husband’s office crime scene – back to Major Crimes to pick up these effects. Instead, Brenda brings her into the room where they recreated the crime scene, and without asking a single question, manages to implicate Robin while a stunned prosecutor Hobbs looks on. Brenda manages to prove that Robin murdered her own husband with the chain strap on her purse (Brenda bought a purse just like that to prove her point). Of course, Russell and James are both thankful for Brenda’s attentiveness and her drive to find the truth.

While “Identity Theft” seemed to be an open and shut case from the start, it turned into a case that seemed to surprise everyone involved. The other surprise was that Brenda seemed to have made a connection with Charlie, and maybe her stay will not be so bad. For me, I worry when a show starts to bring in kids to the mix. In many cases with crime shows, adding kids under a certain age never seems to fit well into the mix. Two cases come to mind right away: Law & Order SVU, where fans often groan at any mention or appearance of Elliot Stabler’s kids; the other, “Shark”, a CBS show that was canceled last season, where the attorney’s daughter had a prominent role in the story line, much to the series’ detriment. I hope that Charlie’s stay will not last more than this episode, if necessary, maybe only one more. After that, I just want it to be over. It’s not that I don’t think that Fritz and Brenda’s relationship can’t handle it, it’s just that they give so little meaningful attention to Fritz as it is that I don’t want him to go from resident kitty-sitter to resident kiddie-sitter.


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Tuesday, July 28, 2009

Raising The Bar “Trust Me” One Trust Broken, Another Gained


Last night’s episode of ”Raising The Bar” (TNT) “Trust Me” involves many forms of trust – trust of the word of a defendant or the police, the trust between colleague, and a big fat trust fund.

Public defender Bobbi Gilardi (Natalia Cigliuti ) – likely still reeling from the suicide of her husband that she was in the process of divorcing – throws herself into the case of Andre Jackman (Eugene Byrd) who was arrested for dealing drugs. The problem is, Jackman’s case is tied to another man who was arrested with him, and Jackman fears if he turns on his partner, Slice, he will end up dead. But Bobbi seems to have trouble with her client, as it seems his story morphs every time the situation warrants. Jackman seems to be looking for any excuse to get off, and refuses a plea deal because he is afraid if it comes out he had been a confidential informant in the past, he’ll be dead. Jackman also claims that the police set him up because he refused to go back to being a snitch, which he signed on for 10 years prior. Bobbi’s opponent is the competitive and aggressive prosecutor Michelle Earnhardt (Melissa Sagemiller), who is constantly trying to prove herself to her boss, the smarmy Nick Balco (Currie Graham). Michelle takes a group pep talk that Nick gives very seriously, and she is determined to win this case.

While Bobbi works to find facts she can use to support her client’s claims, Michelle works even harder to build her own case. When Bobbi feels she has the advantage when she gets Jackman’s case severed from his partner in crime, Michelle uses that to her advantage, getting Slice to take a deal in order to flip on Jackman. She times the process so she purposely won’t have the time to notify Michelle until right before she calls Slice as a witness. Things go downhill from here, as Michelle pays to have the police officer who signed Jackman’s confidential informant agreement 10 years ago up to testify, and he paints Jackman as someone who is unreliable and less than truthful. Meanwhile, Jerry Kellerman (Mark-Paul Gosselaar) had tried to help Bobbi with her case, by talking with Jackman without her knowledge and getting a tidbit of information, which he relays to Bobbi just as she is going in to the courtroom. Later, after Jackman is found guilty, she rips Jerry for talking with Jackman behind her back and feeding her the information without enough time for her to prepare herself for Jackman’s testimony. Bobbi seems to think that Jerry does not trust her, and she says she can’t trust him if he continues to go behind her back. She also ties in to Jerry for his behavior, indicating that Jerry thinks that only he can save the day all the time. Jerry finally apologizes, but I sense that things between him and Bobbi have definitely cooled off in more ways than one. If her husband hanging himself in her home wasn’t enough to put a crimp in her relationship with Jerry, his meddling certainly is.

The other case in this episode involves public defender Richard Woolsley (Teddy Sears). He is having lunch at the Woolsley club with Rex, who seems to be his financial advisor. It seems that Teddy had recently come into possession of a $3 million trust fund payment from his father, and Rex is annoyed that Richard has the money simply sitting in a checking account. Richard says he will look at Rex’s proposals and make his own decisions, and Rex seems impressed with this response.

When a former client of Richard’s, Camile de la Paz (Ivet Corveaz) complains to him that she is being sued for $1,500 in damages for shoplifting $6 worth of batteries – a charge for which she has already served her time – Richard decides to get involved. Camille tells Richard that having to pay this money will mean she can’t afford her rent, and she will be out on the street. When Ros (Gloria Reuben) won’t give Richard any help from their civil lawyers, Richard realizes that his father’s name and money has some clout. He calls the office of Jefferson Cox (Stephen Markle), the man heading the firm who is suing the woman and asks to meet him at the Woolsley club. But Cox thinks he is there to meet Richard’s father, not Richard, and he gets very pissy when Richard tries to twist his arm to drop the case. Richard gets wise later, though, when he decides to fight fire with fire, and threatens Cox with a lawsuit of his own which would drag the firm’s name into the public eye in a very negative manner. Cox drops the case, but threatens Richard if he tries this again he will find himself in a battle.

The experience, however, helps Richard to decide what to do with his $3 million. He writes a check for all of it and hands it to Ros, telling her to use it to hire more civil attorneys to help people like Camille have a fighting chance against battling these big law firms against these ridiculous lawsuits. Even after she gives him the option to rethink his position, Richard stands firm as he doesn’t need the money right now and will get more in 5 years anyway. Clearly, Richard is not totally comfortable with all this money; maybe it is more about the fact that it is from his father.

What I am beginning to enjoy about ”Raising The Bar” (TNT) is that the outcome of each case isn’t always obvious. Unlike many of the other crime/drama shows on television where it seems like the “good guys” - law enforcement, crime scene people, etc. – always win, ”Raising The Bar” (TNT) covers both sides of the fence equally well. You never know if the prosecution or the defense will get a win, and this makes the show more suspenseful all the way to the end. And unlike the Law & Order franchise, this law drama allows people a glimpse into the real lives of the main characters in a way that it is believable and comfortable. The characters are developing very clear personalities, to the point that when they step out of their persona it seems very real. For example, the smarmy Nick Balco (I can’t write his name without the including the word smarmy) does something unexpected when he gives some sincere praise to Michelle for winning her case, and the moment seemed genuine. (But he’s still smarmy.)

I didn’t think I would ever say this about this show after watching its premier last season, but I actually now look forward to the show and it is becoming one of my favorite dramas. They truly have “raised the bar” for legal dramas.

Clip from Raising the Bar: Trust Me





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Tuesday, July 21, 2009

The Closer “Strike Three”: Women Behaving Badly


Last night’s episode of ”The Closer” (TNT) “Strike Three” involves a case of the murder of two police officers in the line of duty, plus the death of a civilian at the same scene. It seems that the police officers were led into an ambush, and one of the people involved was killed when the police returned fire. But this episode was more about women behaving badly, and it annoyed me somewhat that two women in positions of power can only be portrayed as controlling and bitchy (not necessarily in that order).

Sparks fly immediately when a turf war between Deputy Chief Brenda Johnson (Kyra Sedgwick) and Captain Sharon Raydor (Mary McDonnell) from the Force Investigations Division flares up. Brenda is claiming the scene is hers as two policemen were killed, and Raydor says that she needs to investigate the killing of the civilian to make sure that the police used deadly force appropriately. Ultimately Chief Will Pope (J.K. Simmons) rules that it is Brenda’s scene but that Raydor can shadow, and it’s obvious Raydor isn’t happy with that role.

While Brenda’s team works the case – with a brief and frankly worthless appearance of her husband and Agent Fritz Howard (Jon Tenney), Raydor manages to get her hands on all the evidence and removes it from the Major Crimes squad. Brenda is apoplectic over this and a tug of war begins between her and Raydor, with Pope mediating. Of course, he isn’t pleased either that Raydor ignored his instructions and orders her to give everything back to Major Crimes. She reluctantly does so, and gives them information that her team already found out about a piece of red taillight that was left at the scene. Information about this taillight comes in handy when someone calls in who may unknowingly have the car that was involved in the shooting, and it subsequently nets two suspects, which they arrest.

The episode is basically a back and forth between Brenda and Raydor, with Brenda using every chance to make Raydor out to be a controlling bitch, and Raydor making Brenda out to be, well, also a controlling bitch but one who is clueless about the importance of what Raydor is trying to do to protect the force from a civil suit. Raydor does show that she knows what she is doing when she insists she question a suspect before Brenda, as the suspect was asking for medical assistance as a result of the arrest, which automatically triggers a use of force investigation by Raydor. Brenda is not thrilled over this but she must comply. Raydor coolly reads the suspect his rights, and while Pope thinks this now will prevent them from getting any information from the suspect, Brenda now thinks this can work to their advantage. When the suspect gets annoyed at Raydor, he yells, “eat me” to Raydor, and he gets upset when she coyly asks him to clarify what he means. When he bangs his head hard on the table twice, she’s happy, because now she can photograph his self inflicted injuries, which seem to mask his impending black eye from the arrest.

When Brenda goes to the second suspect and reads him his rights, he lawyers up. But Brenda tells Raydor this is OK and she will take them home, where they will confess. As Raydor tags along, we find that Major Crimes has rigged a police car with a camera and audio to monitor the suspects in the back seat of the car. While the team searches the house before they let the suspects out of the car, Brenda tells one of the suspects not to forget what they talked about. Of course he had said nothing, but the other suspect becomes suspicious and they begin to argue. In doing so they unwittingly give clues to where the guns used in the shooting – plus some drugs – were located, underneath an outdoor planter.

Later, Brenda and her team, dressed in full uniform to attend the funeral of the police officers, hear a pep talk from Chief Pope. Raydor, also in uniform, stops Brenda in the hall. Brenda states the situation, saying that when officers are killed in the line of duty, Brenda’s team investigates, but when they fire back, Raydor does. Brenda expresses concern that knowing they'll be investigated might stop officers from defending themselves, and asks Raydor if she ever wonders what her principles cost. Raydor gives a terse reply that she does: $70 million, the cost in the Rampart case, not to mention cases overturned and trust lost. Brenda says, "There has to be a better way" and Raydor responds, "Until then, you've got me." An uneasy truce, for sure. As they leave for the funeral in their dress uniforms, the flags fly at half-mast.

Who did I side with in this episode – Brenda or Raydor? I have to admit that I was more on Raydor’s side. Considering the problems that have occurred with the (real) LAPD in recent history with questions of the use of excessive force with police, I can completely understand why Raydor would want to be sure that the police were right to shoot back. I also think that Brenda was wrong to jump to quick conclusions about the dead civilian. It doesn’t matter that it turned out that the man had involvement in the ambush and the shooting of the police. It could have easily turned out another way. In the real world, I would like to think that the LAPD and all of their other law enforcement agencies would know how to share jurisdiction in a case such as this. In the same vein, I would like to think that in the real world, women in such high positions would not be so pissy at each other during such times. OK, I’ve seen people like Brenda and Raydor in my own career, but I wasn’t in law enforcement and never dealt with matters like murder and crime scenes.

In this episode, Brenda came off as a petulant child who must get her way all the time. I actually found her annoying. Her inability to work with colleagues without inciting conflict is turning out to be a detriment. Sure, she is very skilled at what she does, but there are others out there who are likely skilled in what they do as well, and Brenda needs to give them the proper respect. It may be time that Brenda show a little growth as a person and learn how to collaborate. I don’t expect a humble Brenda, just one who can learn to play nice with others.


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Thursday, July 16, 2009

The 2009 Emmy Nomination Snubs

Last year about this time, I was moaning about the problem with the Emmys and all the people or shows that they snubbed for an Emmy nomination. Here we are, a year later, and I’m still moaning about it because they’ve snubbed many of them again.


Snubbed!
Last year, Battlestar Galactica got snubbed, as did Mary McDonnell, who played President Roslin. Well, despite the fact that the series finished with such a dramatic ending and their final season had some of the best acting ever in the entire sci-fi genre, the series received no dramatic or acting honors. While they had an excellent cast overall, it is simply criminal that Mary McDonnell was overlooked and someone like Mariska Hargitay was included. Let’s be honest here, Mariska’s role of Olivia Benson has run its dramatic course, and her performances this past season seemed reduced to scenes that screamed “for your consideration.” In defense of Mariska, there isn’t a whole lot a person can do to make Dick Wolf’s Law & Order franchise world very compelling for actors. After all, with some of Sam Waterston’s best years as Jack McCoy going virtually unnoticed (he was nominated a few times, never won), it's safe to say that no one in this franchise will ever win an Emmy. (OK Academy voters, make a liar out of me.) Mary McDonnell’s performance in the final episodes of Battlestar Galactic was gripping and virtually ripped my heart out. Also robbed of a nomination was Katee Sackhoff for her performance on BSG as Kara “Starbuck” Thrace. And the series itself went from the doldrums of their middle seasons to being one of the most interesting sci-fi stories ever told. It is just inconcievable that this series could have been so overlooked.


Snubbed!

New to my Emmy snub list is Kiefer Sutherland, who got ignored this year, except for a nomination for “24: Redemption” which was in the movie/miniseries category. This was 2-hour a show that I thought wasn’t all that good, and not anywhere near his great performance for the full season itself. Yet, Simon Baker gets nominated for his bland performance as Patrick Jane on “The Mentalist,” a role that is one-dimensional and, in my opinion, requires little acting range. Maybe the Academy was angry that Jack Bauer wasn’t protecting Los Angeles this past season?


Snubbed!

Another repeat offender on the snubbed list is Robert Sean Leonard, who plays Dr. James Wilson on Fox’s “House.” Let's tell it like it is: there would be no House without Wilson. Leonard plays the perfect confidant, conscience, and whipping boy to House, and he does it so naturally that one forgets that the two are acting. Sure, he has great lines written for him and…oh wait, even the writers for “House” were snubbed. Diagnosis: The Academy of Television Arts & Science are all brain dead.

So, another year, another Emmy rant. I think the only thing that will solve this problem is if the Academy makes a move similar to what the Oscars have done and increase the number of nominees in key categories. With so many shows – primarily dramas - on television these days, it’s a shame that the limit the nominees to only about 6 people in a category. I don’t believe that raising the number of nominees to 10 would in any way dilute the honor, nor would it dilute the importance of the winner, since you can still have only one.

Another thing that hasn’t changed is my opinion of the Academy from last year, where I said “The Academy of Television Arts and Sciences are becoming less relevant to the viewing public, since they rarely represent what viewers think is the best television. For what it's worth, for those I mentioned above that were not nominated, there are many viewers out there who appreciate your efforts and our award to you is continuing to watch your shows.” It’s no gold statue, but I hope it has value to those that were snubbed this year.


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Tuesday, July 14, 2009

The Closer “Tapped Out” Full of Comedy

Photo from TNT



Monday night’s episode of ”The Closer” (TNT) titled “Tapped Out” was one of those episodes that was light on the drama and heavy on the comedy. “The Closer” can easily pull off both heavy drama and comedy from week to week without viewers feeling whiplash. Since my television viewing is heavily slanted toward crime shows, it’s nice to get an episode every now and then that takes a walk on the wild side and focuses on the funny rather than on the crime itself. I personally was highly amused in seeing the usual high-and-mighty Chief Pope get suckered in and be made a fool of by an amateur.

The episode begins with Lt. Flynn (Tony Denison) and Lt. Provenza (G.W. Bailey) sitting down to a breakfast, purposefully oblivious to a crime scene unfolding right outside the restaurant window. Flynn is more interested in Provenza’s change in diet and lifestyle; Provenza is all too happy to tell Flynn about the woman in his life and all the ways she is making him very happy. When Asst. Police Chief Will Pope (J.K. Simmons) arrives to work with the detectives for the day as "one of the guys,” he is a little annoyed that the lieutenants have no interest in the crime scene unfolding right outside. Provenza helps to solve Pope’s distraction by closing the blinds. But Pope decides to take matters into his own hands, and after a lecture to the detectives, heads over to the crime scene next door.

When Pope gets to the scene of a murder in a parking area, another detective from the central division is already there and seems to have everything under control. He introduces himself to Pope as Detective Richard Tracy, a new transfer to central division. Flynn and Provenza arrive on the scene, with Provenza still feasting on half a cantaloupe. Tracy outlines the crime and already has the evidence collected, and impresses Pope by reciting Pope’s mission statement. Pope, impressed, has no problem with handing back all the evidence to Tracy, who gets their business cards and drives off. But when a shrieking woman shows up at the crime scene, they are forced to get involved.

Back at Major Crimes, the team is being deafened by this woman – Marie - who continues to shriek. Pope asks Sgt. David Gabriel (Corey Reynolds) why he wasn’t at the scene, and Gabriel informs him they never got a call. Meanwhile, Marie continues her shrieking, but they are able to find out from her that the murder victim was Mark Bernstein, also known as “Intrigue.” But when Marie gets concerned that she is being considered as a suspect, her shrieking gets so loud that it drives Deputy Chief Brenda Johnson (Kyra Sedgwick) out of her mind and out of the interrogation room. She then finds that the evidence hasn’t been logged in yet. Sanchez (Raymond Cruz), upon hearing the name “Intrigue” knows of him, he’s the "Hook-Up King" who created “The Intrigue Technique” - a way to pick up women. Meanwhile, Pope is on the phone trying to track down the evidence, and gets concerned when no one knows who Detective Richard Tracy happens to be. Brenda, upon hearing the name, makes Pope realize, to his dismay, that he had given all the evidence to a detective “ Dick Tracy.” Pope terminates his call and says, "OK, now, this is definitely a major crime."

After much ribbing to Pope, they continue to work the case, but find that “Dick Tracy” is one step ahead of them. And to their continued dismay, he is using the business cards he got from Pope, Provenza, and Flynn to pass himself off as the others and gain access to the victim’s family and apartment, taking even more evidence.

They spend some time talking to Intrigue’s brother, and also Jill, a cable network executive, who tells them they had been going over plans for the episodes for Intrigue’s TV cable show based on his technique. They also find that Intrigue was with Marie the night before, but they have been unable to reach her by phone (of course, she’s at Major Crimes).

But “Tracy” meets his match when they realize that he is using a web site, set up to highlight Pope’s work and the department activities, to work the case. They set him up so he will head to Marie’s place, and when he shows up, identifying himself as Flynn, they arrest him. Of course “Tracy” protests because he says he’s working for law enforcement.

The remainder of the episode involves Brenda trying to get “Tracy” – who they now know as Jonathan Baird and who had been turned down for the force because he failed the psychological portion of testing – to help them interpret the evidence. It seems all his notes are in code, and he put a password on the computer that he took from Intrigue’s place. They even allow him to write out all the information he has on the big white board and run through the scenario with them, barely tolerating his shouting at them. He does help Tao (Michael Paul Chan) when he tells him that even though he can’t get into the computer without his password, he should have checked the computer’s DVD drive. The drive contains some of the recordings for Intrigue’s series and how he picks up women, where Intrigue is stating, “She got tapped.” This seems to disgust everyone but Sanchez, who is clearly a student of Intrigue’s teachings. After watching one woman be humiliated in one of the eight episodes filmed, Brenda asks "He did this to eight women and he only got shot once?"

In order to get the password for the computer, Brenda tries to make Baird think that they will make him one of the squad, but he figures out their deception quickly. As they take him away, Baird yells for his union rep.

Gabriel gets the eight women from the Tapped taping. Brenda explains that she wants four in each room and she tells him to add Marie to the line up but only when she cues him to do so. Meanwhile, Brenda tries one more time to get the computer password from Baird, and when she is unsuccessful, she has to enlist a little help from Pope. Pope is concerned about how this will all play out, considering it’s his fault this guy even got involved, and he’s screwed no matter what happens. But Brenda says maybe not – and asks for his help. She uses Pope as the “good cop” to her “bad cop”, allowing Pope to feed on Baird’s ego and delusions. He manages to get Baird to give up the password – “Crimestoppers.” When they get access to the computer, they find the results of the focus group for the show.

They get Jill, the cable executive, into one of the interrogation rooms where the women for the show were being held, and also Marie. When a witness to the crime, who is watching all the action in interrogation on the monitor, picks out Jill as the person she saw with Intrigue, it’s all over but the shouting. It seems Jill wasn’t happy with the focus group results – which were overwhelmingly bad. She tells them that when they signed Intrigue they though he had a likable vulnerability, but when they got him on camera, he was more of a psychopath. She told him to change his style, but he wasn’t interested, and with him web business getting better all the time, he would still be in great shape even if the show never came to be. Jill, on the other hand, felt she would be ruined and she killed him because he used her.

Later, Brenda convinces Baird to write a full report, which she plans on using against him. For example, when he wrote that he "served a warrant," it will mean he "forged legal documents;" when he went into the victim's apartment it would translate to trespassing; when he removed evidence would become theft. She says when he signs it, it will be his confession.

Brenda later stops in Pope's office, where he's reading Flynn and Provenza's report of the events which seemed to be scrubbed of Pope’s mishap. Brenda tells him that the DA found the victim despicable and agreed to a plea, so Pope’s error will not be revealed. He is concerned what the team will think of him if he lies in his report, and Brenda tells him they'll think he's one of the guys - they lie to him all the time, and that’s the one thing that unites every division of the LAPD. With a wink, she says "Nighty-night, crime stopper."

Wasted in the episode, again, is FBI Special Agent Fritz Howard (Jon Tenney) who Pope asks to get involved in the issue with Baird, but who really seems to serve no purpose except to give Brenda a kiss in the squad room. Such a waste of a character.

“The Closer” has the right mix of drama and light moments, but most of all, it has a great cast. Every character seems very well defined, which makes the major Crimes group seem more like real people solving real crimes. In fact, this may be the best ensemble cast on television these days. Hopefully the Emmys will give them the recognition they truly deserve.


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Monday, July 6, 2009

Ice Road Truckers: Cool Summer Viewing

Photos from History.com
I’m not big into “reality” competition shows. However, there is one show that is based in reality, has somewhat of a competition, but the star of the show is not just the people in it, it’s the ice road far north in Canada and Alaska. The series is called ”Ice Road Truckers (History) and it is interesting, edge-of-your-seat television.

The premise of the show may sound rather dull – drivers navigate the ice roads of the north in order to deliver supplies to those that work in the frozen tundra, in places like gas drilling sites and oil fields. Personally, I don’t like driving on Ohio roads in my 4 wheel drive car when we get a few inches of snow, so I didn’t think I would enjoy watching a bunch of truck drivers navigate icy roads for a living. But when I began watching the show mid-season in season two, I was surprised that I quickly became hooked. There was something about watching these guys barrel down roads made of nothing but ice cracking underneath them, separating them from water, that was compelling. Equally compelling was watching some of the drivers – like Rick Yemm – self-destruct their careers in the process, or Alex Debogorski, who had to cut his driving season short due to health reasons. It seems that each driver had just a little bit of crazy in them, after all, a person just can’t have all their faculties if they want to drive in such hospitable conditions – can they?


In season three, the show has moved from the ice roads of Canada to Alaska Route 11, also known as the Dalton Highway. This 500 mile stretch of road is the major connector between Fairbanks and the Prudhoe Bay oil fields. There seems to be much more danger than on the “simple” ice roads, as these drives have to contend with avalanches, white outs and blizzard conditions, not to mention steep grades and tight turns. The hazards are great and death lurks around every corner. Carlisle Transportation is the company responsible for the hauling of freight to Prudhoe Bay, and the drivers can earn some big money hauling these loads, the bigger and heavier the better. Two of the Canadian drivers from season one and two – Alex Debogorski (who is now recovered from his health problem) and Hugh Rowland – have decided to try their hand at the Dalton. Both find themselves somewhat humbled, yet somewhat annoyed, when they have to prove themselves on this new road, including having to go through a simulator in order to show they have the skills to tackle the tough roads. In both cases, they have difficulties.

The show adds a new twist this season with the addition of a woman behind the wheel, Lisa Kelly, who knows she has to pull her weight, figuratively and literally, in order to keep up with the "boys". She’s a bit of a risk taker, and I find myself hoping that she doesn’t bite off more than she can chew.

The same goes for Canadian transplants Hugh and Alex, who don’t seem to have complete respect for The Dalton quite yet. These two seem to be rather easy going but there is something slightly crazy about them – they both have a laugh that sounds like driving in the cold has made them just a little nutty. In a strange way, it is highly entertaining.

The star of the show – The Dalton – is an amazing twisting, turning, and hilly road, which goes through some beautiful, yet deadly dangerous terrain. This is what brings such tension to the show – one never knows what conditions the drivers will have to face. Personally, I can’t fathom why anyone would want to drive in conditions such as this, and this may be the thing that actually draws me to the show.

Despite the fact that the premise of each episode is the same – driver gets a load to haul, driver has a problem with weather/their truck/their load, driver forges on – it’s still very interesting to see how they go about their work and how different they are in their work habits. I am sure many people never think about how vital these truckers are in order to support everyone’s need for fuel such as natural gas and oil, and what risks these drivers take with each delivery. But ”Ice Road Truckers" is more than just a show about truck drivers. It’s an education about how industry must operate in some of the world’s most inhospitable climates, and how to what lengths some people will go in order to earn a living. It’s an action packed hour that goes by quickly. If you are feeling the heat in your job, watch an episode of Ice Road Truckers, you may appreciate your career choice all the more.

Ice Road Truckers, Season 3 Episode 5 Highlights






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Friday, July 3, 2009

The Philanthropist: Dull, Preachy, Trite

All Photos from NBC
I decided to watch ”The Philanthropist”because Jesse L. Martin, probably most well known to TV viewers from his work on Law & Order, had a starring role. The premise of the show – about a wealthy businessman turned philanthropist – sounded hopeful.

After watching two episodes, I have decided to take the show off my watch list. The first episode was somewhat flat and uninspiring, with the cast having zero chemistry. Martin, who plays the business partner and good friend of the show’s main character, Teddy Rist (James Purefoy), seemed stiff and his character one dimensional. (My husband even commented, “I think Martin made a poor move joining this show.”) Purefoy isn't much better, although he was given more chances with more action scenes, seemingly attempting to be a philanthropist’s version of James Bond. Sadly, his efforts are wasted as the episode became mired in peachiness. I decided to give the first episode a pass, and wait to review the show until the second episode.

The second episode, titled “Myanmar” was even worse. In this episode, the Maidstone-Rist firm is exposed in a press conference as having ties, through business interests in China, to businesses in Myanmar, (formerly known as Burma) where forced labor is used in many places. Teddy decides to help the company clear their name, and for some reason which I didn’t quite understand, Teddy has to get advice from Daw May Lin Wai, a Burmese democratic leader who has been under house arrest in the country almost 20 years. He has to break through security to get through to her, using his “bodyguard” to help create distractions, which of course pulls away all the guards. (As you know, all security guards in television are idiots and easily pulled away from their posts.) Teddy sprints inside, Daw May gives him a “do the right thing” speech, and he manages to escape by running through the back streets, which oddly seemed to be unguarded and what may have been a much easier way in. Of course, Teddy likely thinks he won’t stand out, being the only man in town wearing a suit – a white suit at that.

During his stay, he also meets up with a young girl who needs a kidney transplant, and who happens to have an attractive female doctor. Teddy decides to help get the girl’s father who is supposed to be a donor, but he is being held as a laborer in a ruby mine. Teddy uses his money - and other people - in order to get the girl’s father out, and the transplant is performed in what looks like a hospital that to me doesn’t look to even remotely have the skills and equipment to perform such a surgery.

While all this is going on, Philip Maidstone (Jesse L. Martin) is chairing a board meeting, and one member wants to oust Rist. The whole episode covers Philip telling Teddy’s Myanmar story - with repeated voice over scenes – to try to convince the board to keep Teddy. I always say that if a show needs voice over scene to help the viewers understand things, the show is either too complicated or too boring. In this case, I think boring fits better.

Let’s not forget that Teddy’s efforts to clear the company name gets put by the wayside when he agrees to give the Chinese company even MORE business in order to curry favor with the Myanmar people to help get the girl’s father and his bodyguard and the girl’s father out of jail. So, in order to save one person, Teddy compromised his entire company and possibly enabled even more oppression for the people of Myanmar. Yeah, that was a really bright move. Personally, after Philip told Teddy's story, I heard nothing in it that would make me want to keep Teddy, yet the board allows him to stay on. Go figure.

The show is heavy in the preachiness, trying too hard to prove a point about how bad things are in other countries. Of course Teddy is the only one who seems to “get it”, and it’s all because his son is dead. I am not quite sure how his son died – maybe I dozed off during that part – but I suppose that the show needed some excuse for Teddy to have this sudden desire to save the world. It’s a trite plot device.

So, in my desperation to find new shows to watch in the summer, I am not that desperate that I will continue to watch “The Philanthropist.”

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