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Showing posts with label Law and Order. Show all posts
Showing posts with label Law and Order. Show all posts

Sunday, March 20, 2016

Paley Center Holds “An Evening with Dick Wolf” (Photos)

Law & Order brand and Chicago Fire/Chicago PD/Chicago Med Creator/Executive Producer Dick Wolf was the center of attention at The Paley Center For Media's 33rd Annual PaleyFest Los Angeles presentation of “An Evening with Dick Wolf with the stars of Law & Order: SVU, Chicago Fire, P.D., & Med” at Dolby Theatre on March 19, 2016 in Hollywood, California. Here are photos from this event.

All Photos by: Chris Haston/NBC 2016 NBCUniversal Media, LLC

Pictured: (l-r) Gary Bryan, Moderator; Torrey DeVitto, Colin Donnell, S. Epatha Merkerson, Oliver Platt, Dick Wolf, Creator and Executive Producer; Ice-T, Jesse Spencer, Taylor Kinney, Jason Beghe, Sophia Bush at PaleyFest LA 2016 honoring "Law & Order: Special Victims Unit", "Chicago P.D.", "Chicago Fire", and "Chicago Med", presented by The Paley Center for Media, at the Dolby Theatre on March 19, 2016 in Hollywood, California



Photos by: Chris Haston/NBC 2016 NBCUniversal Media, LLC



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Monday, August 10, 2009

The Law & Order Franchise: Still Alive and Kicking

Regular readers of my blogs know that I have two blogs dedicated to the Law & Order franchise and the stars of the show, All Things Law And Order and These Are Their Stories. As the season ended last night for Law & Order Criminal Intent, and with the new season getting ready to start up in late September for the “mothership” Law & Order and Law & Order SVU, I thought it was time to turn a critical eye at the franchise as a whole.

Law & Order Criminal Intent just finished up their season with a fine finale, "Revolution" which featured the franchise’s newest detective, Zach Nichols, played by the man who was born with the word “quirky” tattooed on his behind (just kidding) – Jeff Goldblum. Off to a shaky start and after a producer was fired, Goldblum’s character seemed to become more comfortable, believable, and highly interesting as the first few weak episodes were history and the new producer and team took control. In fact, I think Goldblum has re-energized the show, and the fact that he played well off both co-stars Julianne Nicholson and Kathryn Erbe made the show even more interesting. After last season’s depressing turn with Detective Robert “Bobby” Goren, Vincent D’Onofrio had his work cut out for him this season, and his character still seemed to be carrying around the baggage of the bad experiences that Bobby had endured during the last season or so. Maybe the writers should take a cue from the Goldblum team and breathe some life back into what used to be a mentally agile, in-your-face, razor sharp Goren. D’Onofrio is such a skilled actor that his recent story lines are a waste of his talent. But for a series that NBC seemed to have given up on a few years ago, it has found a new life and resurgence on a network that cares (USA), and I see only good things for the show should it be renewed (no official word on that issue as of this writing).

Law & Order SVU’s most recent season, in my opinion, was a mixed bag. The series spent what seemed like too much time last season on personal issues for the characters, and on what I call ”for your consideration” episodes which seemed akin to begging for Emmy nominations for its key stars, Mariska Hargitay and Chris Meloni, along with using a gaggle of high powered guest stars. Don’t get me wrong, Mariska and Chris were key to the success of this series last season, and SVU has done very well in bringing out the talent with powerful guest stars such as Ellen Burstyn, Brenda Blethyn, and Carol Burnett, all who were nominated for Emmys. But the stories themselves seemed to suffer as a result, becoming more like a crime soap opera at times. After watching a fewer of the older episodes over the last week or so that were from the first few seasons, I have to admit that I miss the grittiness of this show. It also seems that they have gone out of their way to focus on crimes that don’t quite fit the “special victims” category, maybe in another attempt to give their key stars meatier roles. SVU is still a great show, but I admit that I am worried that the show has become more about the sizzle rather than the steak. And that may make the show tough to swallow if the trend continues.

Fans were concerned when Meloni and Hargitay were holding out in contract negotiations, but not me. After the many years of changes in the mothership series, I got used to cast changes and I felt comfortable that SVU could have survived without one or both of the top stars. In fact, with the large amount of male TV stars out there that could have fallen into the role if Meloni were to vacate his role, I envisioned the show actually being more interesting if one of the two stars left, and a cast change maybe bringing on a whole new group of fans. The show did well by cutting lose a deadpan Michaela McManus and by bringing back Stephanie March to reprise her role as ADA Cabot (with the obvious omission of any mention of her work as a bureau chief while on the series, “Conviction”). I think without March’s return, the season may have been just average. While some die-hard fans think I am too hard on Law & Order SVU, it’s only because I think it is sacrificing the quality of its story lines to become more of a character driven show.


Law & Order - the mothership, the original recipe, call it whatever you like - is going on its 20th season and showed more signs of life last season than it had in a long time. The season featured a slow buildup in tension for District Attorney Jack McCoy (Sam Waterston) as he fought to win the election and keep his office. The season ended with a rather delicious episode where Jack gets the upper hand against his opponent, and gets to bring down the governor in the process, but left fans hanging as to the actual outcome of the election. Of course, the show had the added bonus of a real live New York governor’s scandal during the show’s 19th season which gave writers a great chance to do some “ripped from the headlines” story-stealing, but at least they added a nice twist all of their own. In a change from her first season with the show, ADA Connie Rubirosa (Alana De La Garza) seemed to have softened her look and grew a backbone, and many times provided either a fresh approach to a case or a tidbit of information that helped win a case, proving she is much more than a pretty face. And while EADA Michael Cutter (Linus Roache) seemed to try to win most of has cases by some underhanded maneuver, he saved his best for last when he outmaneuvered the governor and got him to resign, all without McCoy’s knowledge or approval. Not to forget the detectives – Lupo (Jeremy Sisto) and Bernard (Anthony Anderson – who are starting to act more like real working partners. Sure there will never be another Lennie Briscoe (Jerry Orbach) but Sisto and Bernard seem better matched than Lupo and Greene (Jesse L. Martin). The only problem I see is that they still have S. Epatha Merkerson in a role that woefully underutilizes her talents. And by the way, either Sisto or Bernard needs to shave, because their facial hair looks too similar.

The bottom line is that the Law & Order franchise is one that still has a lot of life left in it, despite the rumors of the show’s demise over the years. Criminal Intent has found new life with the addition of Jeff Goldblum and likely some better writers and producers. SVU still has solid regulars on the show, and can command very high-powered guest stars, which help to draw viewers. And hopefully Law & Order will start the season with Jack McCoy having won the election as District Attorney, closing one story line, but maybe opening up more political trouble down the road for him and his staff. Yes, I’d say the franchise is still alive and kicking.


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Friday, January 9, 2009

Richard Belzer to NBC: You’re Desperate and Dying

Leave it to Law & Order SVU's Richard Belzer to come out and say what everyone else is thinking – and say it bluntly. On January 7, the LA Times reported that during Belzer’s participation in a PBS panel (talking about the late George Carlin), Belzer was asked his opinion of NBC's recent decision to place Jay Leno in the weekday 10:00 PM time slot in the fall, putting an end to 5 prime time hours of scripted programming. And he told it like it is, as he said he has a contract that renders him untouchable.

"I just think it’s a network that’s desperate…It’s the last gasp of a dying network, which can turn out to be brilliant financially. But in terms of writers, actors, producers and other people who work on shows, I think it’s a tragedy, frankly."

I only disagree with Belzer on one point – I don’t even think the move is brilliant financially. I can’t see NBC being able to sustain the number of viewers that it received with the 10 PM programming like Law & Order, Law & Order SVU, or even the departing ER. Sure, those shows cost a lot more to produce than a show like Leno’s, but they also likely commanded higher advertising dollars. And NBC will still have a lot of overhead to cover. If the network calculates or measures a "cost per employee" or "profit per employee", it would be interesting to see how those numbers are affected after this change is made. My projection is that cost per employee goes up, and profit goes down.

But I agree strongly with Belzer that this is a tragedy, maybe not because it would put writers, actors, et al. out of work, but that it may mark the death of creative dramatic programming for NBC. Everybody likes a good story. And everybody likes to see good actors in a good story. People like to have that time to watch some fictional show on television, maybe to take their minds off their own problems. But everyone has a limit, and even 5 days of Law & Order would get old after a while. OK – let me think about that – there was a time when NBC had a Law & Order franchise show on 3 days a week (Law & Order, Law & Order SVU, and Law & Order Criminal Intent). But when they tried to add in Law & Order Trial by Jury and Conviction, both new shows failed. I think it was simple overload, and maybe some Law & Order fatigue set in with the creative end of the franchise. Five days of a talk show at 10:00 PM when there are other choices on other networks would be worse than Law & Order fatigue, and could happen much faster. My opinion is that NBC's opinion of the draw of Jay Leno is inflated.

So, what does it say about a network like NBC that doesn’t have the talent or can’t afford to put together 5 extra hours of scripted programming? Like Belzer, I’d say they are dying.



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Saturday, October 25, 2008

Law & Order Returns In November – Fans Rejoice!


Did you feel something odd yesterday? Was it like a small earthquake, or maybe a tremor in “The Force”? Did it seem that the stars realigned and suddenly the universe was back in balance? Well, it was none of those things. What you felt was the collective jumping up and down and the overall joy of Law & Order fans upon reading the news from NBC that their beloved Law & Order would be returning on November 5, 2008. This is much earlier than the January premier date that was originally planned.

What is even better is that it is returning to its original Wednesday night at 10:00 PM time slot, which is where the show had lived for many years until NBC banished it to other not so preferred nights of the week. Law & Order fans now may seem vindicated in their original dismay years ago when the show seemed to be pushed out of the way for other shows which have since failed.

The show still faces stiff competition on Wednesday night, though, as CSI NY airs at the same time on CBS. And, after Law & Order moved from Wednesday night, the move only seemed to open the door to strengthen the viewership of CSI NY, which frequently dominates the time slot and is also frequently in the weekly ratings top 10.

That’s OK. There is plenty of room for more viewers, and I think that Law & Order fans who may have left the fold when the show moved may find themselves coming back. After all, the show re-energized itself last season with new cast members Linus Roache, Jeremy Sisto, and Anthony Anderson, and also by moving Jack McCoy (Sam Waterston) into the top spot as District Attorney. And when we finished last season, Jack may have found himself in a little trouble with the governor, which I suspect may come back at him this season.

So, there is a lot to be happy about. If you left the Law & Order fold a few seasons ago, it may be time for you to come back again. For the rest of you die-hard fans like me - continue your celebration!




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