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Monday, November 17, 2008

Can 24 "Redemption" Redeem 24?




First of all, I am in quite the cranky mood today because somehow, despite all my anti-virus, anti-trojan, and anti-malware software, my computer still got infected with some malware. I thought my McAfee anti-virus program caught it (it said it did) but part of it must have gotten in under their radar. Anyway, I spent the whole morning – from 5:30 AM until now – fixing it.

So take all this into consideration when I say that I am very indifferent to the upcoming 2 hour movie for “24” titled “Redemption,” scheduled to air on Sunday, November 23. (The trailer can be viewed here.)

It seems like forever since an episode of "24" has aired. In fact, I am not sure if anyone has even shown any episodes lately in syndication or on cable, either. And, as the writer’s strike virtually killed its new season,  it's as if Jack Bauer (Kiefer Sutherland) dropped off the face of the earth.  

Making matters worse is that there were reports that when they DID start filming, they didn’t like what they saw and scrapped it. If I recall the premise of the story that was scrapped, I think that’s what we’ll be seeing in “Redemption.” It’s being referred to as a “prequel” or “bridge” to season 7; I call it a cast-off , or made from recycled material. 

Here’s what’s supposed to happen in this upcoming 2-hour movie (don’t read this paragraph if you don’t want to be a little spoiled):


Jack left Los Angeles and the LA life behind and is now in Sangala, Africa. He’s now a missionary, alongside his old colleague Carl Benton. Sangala is under siege by a ruthless warlord (played by Tony Todd), who happens to be using abducted children for his militia. And when this militia begins to mess with the children that are under Jack’s care, Jack does what Jack does best – fights back.  Back in the US, there’s a new (female) president - Allison Taylor (played by Cherry Jones) - being sworn in. She’s immediately faced with this “problem” in Africa.   Although Jack is in Africa, finally outside of his comfort zone in LA, this prequel also spends time in the US by introducing new characters that will play a part in season 7. But, don’t expect to see the old standbys like Chloe or Buchanan in this 2-hour show.


Somehow, this doesn’t sound very interesting to me. I think it was necessary for the success of the show to get it out of Los Angeles, but taking Jack to Africa seems a little overboard. (After all, isn't going to Africa what killed the NBC show ER?) I also don’t see Jack as a person who would act as a missionary, or help in a missionary effort, no matter how repentant or regretful he would be over his past deeds. And, since I know the 2-hour episode is the result of a storyline they didn’t think they could carry through the whole season, it sounds that it could be somewhat disjointed. But, the biggest problem is that “24” has been off the radar for so long that I’ve simply lost interest in Jack Bauer. But, I will still watch the show to see if somehow they can make lemonade out of a bunch of lemons. If, however, "Redemption" doesn’t set things up for something new and different for season 7, I think that I may scratch “24” off my must watch list. Hopefully, next week I’ll be writing a glowing review, because I hate wasting 2 hours on a show that I didn’t like. (Maybe by then I’ll be over my computer mishap today and I won’t be in such a bad mood,)



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Wednesday, November 12, 2008

House ‘The Itch”: Scratching Makes It Worse

This episode of House, titled “The Itch” made me want to scratch out my eyes. Why? It’s the horror of all horrors for this show: House (Hugh Laurie) seems itching for more to his relationship with Cuddy (Lisa Edelstein). I urge him not to scratch that itch.

House’s and Cuddy’s preoccupation with THE KISS from the previous episode, ”Joy”, almost destroyed the potential for an almost interesting case with the Patient Of The Week, Stewart Nozick (Todd Louiso), who is an agoraphobic. He becomes ill inside his home, and since he refuses to leave his home for treatment, it opens the show up for a ridiculous story. Ultimately, as they can’t bring Stewart to the hospital, they have to treat him in his home. As his case becomes more complicated, they decide to fake him out and make him think he’s being operated on in his own home. Once he’s under anesthesia, they transport him to Princeton Plainsboro Teaching Hospital for the surgery, and then plan to return him home afterwards. Things go awry why Dr. Cameron (Jennifer Morrison) decides to wake him from anesthesia and tell him what’s going on. He panics of course, and the operation won’t continue. Later, though, in a clear shark-jumping moment for the show, they actually bring all the equipment to the Stewart’s home to perform the surgery on him there. During the surgery, Dr. Taub (Peter Jacobson) accidentally ignites the gas coming from Stewart’s intestines and he is burned, and in the presence of his lawyer, no less. Cameron stays with him after the surgery, and despite the fact that House tries to switch his IV to saline, Cameron made sure Stewart still got morphine. House is interested when, despite the morphine, Stewart was still having stomach pain. House deduces the pain he had while still on morphine must mean lead poisoning, and, finding an area hear the man’s hip where he suffered a gunshot wound, cuts him open while he is not anesthetized and picks out pieces of the bullet. He's cured! House then berates Stewart for keeping himself locked up in his own home and deluding himself to thinking this makes him happy. Of course, this is just the impetus Stewart needs to make his first walk outside the house in a long time. He's cured again!

But, during the backdrop of diagnosing the unfortunate patient, House is dropping comments all over the place about what happened between him and Cuddy, saying "I kinda hit that last night, so now she's all up on my jock. " It seems that everything thinks he’s kidding, except for Dr. Wilson (Robert Sean Leonard). And, in typical Wilson form, he seems compelled to stick his nose into the matter, going so far as discussing it with Cuddy. He quizzes her on why she's never thought of House "that way." She goes into a long explanation of how she thinks it would all have played out, clearly a sign that she HAS thought of him that way. Later in the episode, Wilson admits to Cuddy that he's always had feelings for her. She seems interested and asks him on a date the next night, and then she suggests they just have sex in front of House's office. She then tells Wilson that she got his point, which apparently is to make House jealous so he'd realize he should be with Cuddy.

Meanwhile, Drs. Cameron and Chase ( Jesse Spencer ) seem to be having some troubles of their own, Cameron not willing to make room at her place for Chase, and Chase not willing to wait any more for her to come around. Things are made worse when it seems that Cameron’s soft spot for flawed people kicks into high gear when it seems she’s staying at his place to watch over him while they work on his case.

During all this, the self-centered House also seems obsessed with a mosquito bite, even to the point that he dreams he blows up his apartment by accident trying to kill it. I suppose, though, the whole purpose of the mosquito bite is symbolic of the “itch” that he seems to be experiencing when it comes to Cuddy. Too obvious?

It must be nice for this whole team of doctors to only have one case to work on that they can just leave the hospital en masse and focus all their attention on one patient. It doesn’t seem realistic to me. I thought another huge stretch was performing an operation in the man’s home. Does that happen in the real world? I found the whole premise ludicrous.

One good thing about the episode was the fact that they brought in Chase and Cameron for a little more than just a few seconds on the screen, and they put the other three doctors in the background. I believe that those two are much more interesting that the new three. And it seemed that the three newbie doctors were a little miffed at the ease in which Cameron interacted with House; she seemed to be answering his questions directly just to help the conversation move on. I am sure they will learn their lesson that you can't fight House's childish streak or his need to intimidate or belittle his colleagues.

But there is something wrong with this show as of late. House seems to be regressing, becoming more juvenile with every week. His response to his kiss with Cuddy was something I would have expected from a 11 year old who just had his first kiss with a girl behind the bushes near the grade school playground. And while they make references to House’s continued drug problem, his real problem is that he seems emotionally stunted in his relationships with his colleagues and people in general. In fact, everybody on the show seems to be acting like they are juveniles that don’t know the first thing about “big people” relationships. I am starting to believe that the show is trying to appeal to a much younger demographic, and seeing that the show airs at 8:00 PM, maybe they are trying to catch the teen crowd? Seriously, during the first year or so of this show, it seemed to be a compelling drama that had grown up acting people in grown up scenarios. Now, I feel like I am watching a soap opera for teens.

But what really gets me are these overly contrived scenarios that seem to be placed there just to give the illusion that the characters are outside their comfort zone. It seems odd that a person who won’t leave their home is the excuse they use to get ALL the characters (except Wilson and Cuddy) out of the confines of the hospital. It is almost believable, up until they decide to put the whole staff on the case and seemingly move a surgical set up and other hospital equipment into the home. It must be nice to have a hospital where so many specialists can work on only one case and take vital equipment out of a hospital to tend to one patient’s needs. It just does not ring true, and that’s what I dislike about what is happening to the show.

The episode leads up to Stewart taking a walk outside the confines of his house, Cameron clearing some drawer space for Chase, House letting a mosquito go free and then acting stalker-like outside Cuddy’s window, then walking away.

My hope is that House would just keep on walking and stay away from Cuddy. I have every hope that the show just drops this story arc, because frankly I find it worse that the ever annoying Stacy story line that we had to deal with in a previous season. I am not sure if I care any more if House finds love. I just want House to re-engage his BRAIN.

I have to admit that I don’t know what I want from this show anymore, except maybe to tell the writers to look back at their first season and try to recapture the real drama that the show had as viewers discovered the many layers of House. House now seems to have become a two-dimensional character, without depth, substance, and grown-up behaviors. I can only hope that one day the writers will stop reading fan forums or catering to the fantasies of teenage fangirls. It’s no wonder that the show continues to lose viewers and that NCIS is seemingly trouncing it in the ratings. It’s because grown ups are fleeing in droves.




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Tuesday, November 11, 2008

CSI Miami “Cheating Death” A Rip-Off

He can't hide from this turkey

Another episode of CSI Miami – another feeling that I just wasted an hour. Even "Xena" couldn’t save it.

The bottom line in "Cheating Death” was that a man was killed by a woman who was scammed by a “tanning butler,” and she killed him because he stole her expensive wedding ring. It also uncovers Audrey Yates (Lucy Lawless), who runs an escort service, who was working with the tanning butler to help drive away her “competition.” And while all this is going on, Wolfe (Jonathan Togo) and Delko (Adam Rodriguez) play a prank on ME Dr. Tara Price (Megalyn Echikunwoke) that may have compromised evidence.

Rather than dissect the case – which was one of the dullest on record, mind you – let me cover some of the many misses in this episode.

Of course, the tone of the show can sometime be felt by the line delivered right before the opening scream. In this case, it was not a good sign when Frank (Rex Linn) makes note of the couple – from Kansas - who made the noise complaint that led to the discovery of the body. Horatio (David Caruso) responds dryly, "They're not in Kansas anymore, are they?" Groan.

Another bit of silliness is the hotel concierge who keeps special toys on hand for hotel clients' “special “ needs. And how nice of the hotel to have their logo on the handcuffs. Excuse me? A hotel logo on handcuffs? Did they also put their logo on the other "special" toys too? Somehow I doubt it. But, they needed this little clue to help point them to the concierge, which lucky for them later points to a phony receipt system he had going on the side which eventually pointed to the actual murderer. (Whew! Did you follow that?)

What was amazing to me is that when Wolfe and Delko decide to play a prank on Dr. Price, that with all their experience they didn’t’ realize that the body had been moved in exactly the same position that it was at the crime scene. Now, if these two are supposed to be such great CSIs, and have probably seen a lot of bodies in the morgue, shouldn’t the body's unusual positioning in the morgue have raised a red flag that this was not the time to play a juvenile prank? Equally dumbfounding was that the ME and Calleigh (Emily Procter) could manage to get the body back in the exact position in order for the ME to get those mold of the murder weapon. Even more astounding is that Horatio was able to clear away the ME’s concerns with inconsistencies about the evidence just by looking at the molds and simply turning one of the mold blades!

Equally magical is when Delko is able to reconstruct a bottle that the tanning butler used to drug his victims just by fuming the pieces for prints, then photographing the pieces so the computer can just put them together again. The flaw in this process is that Delko holds the pieces under the camera to be photographed, which, unless he holds the piece exactly the same distance from the camera, could cause distortion when the computer tried to assemble them. Should he have placed them ON the table underneath the camera so the distance and lighting would be exactly the same for each shot, and therefore the proportions of the pieces identical?

And I still think that the women in Miami must be some of the dumbest women on record. Now really, would any woman in their right mind take a drink of something out of a bottle from a stranger that they didn’t really know what it was? And the fact that Lisa Radley (Vanessa Branch) took the murder weapon with her and still had it in her trunk even after being questioned by the police also confirms that Miami continues to have dumb criminals. Wouldn’t it have made more sense for her to have disposed of the weapon in some public trash bin, miles away from the murder scene?

As a side note, David Caruso seemed to be speaking almost too quietly during this episode. It almost seemed like he was getting into some sort of Zen mode or something. I had to keep turning up the volume to hear him. After a while, I decided I wasn’t missing much.

I could go on and on about this episode, but why? I was already cheated of an hour just watching it, why waste any more time?



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Monday, November 10, 2008

60 Minutes: 30 Minutes Of It

One of these days I am actually going to watch all 6o minutes of the CBS show “60 Minutes.”

The reason I never watch the full 60 minutes of the show is because it almost always gets time shifted because of football game run-overs. And, by the time they finish introducing everyone (it seems like that drags on forever) it seems that whatever I want to watch at 8:00 PM is starting.
I did manage to catch two of the segments in last night’s show. The first segment covered a discussion Steve Kroft had with the Obama campaign “inner circle” that ran the campaign. It was interesting to meet the people behind those emails that I received during their campaign. And I did get a lot of emails from them. I'm not complaining, mind you, I found the emails very informative. Still, it was an average interview, nothing stellar.

The second segment was an eye-opener where Scott Pelley took viewers to a location they billed as “one of the most toxic places on Earth - a place government officials and gangsters don't want you to see. It's a town in China where you can't breathe the air or drink the water, a town where the blood of the children is laced with lead. “ In fact, at one point during the segment, Pelley seemed to be gagging on the acrid air.

This segment shows the strength of “60 Minutes” where they go to places and cover stories that some people would rather keep hidden. The story showed how the good intentions of Americans to recycle computer components and other “e-waste” goes awry when the parts are processed outside the US by people who have little regard for the effects that the toxic by-products can have on people and the overall environment. During this segment, the people conducting the investigation and filming are under clear pressure by local government and gangs who want their dirty little secret kept secret. In this case, “60 Minutes” did its job by reporting the facts in the case, and hopefully making viewers think about who may be suffering as a result of the waste we generate.

I didn’t watch the third segment, which was about Ted Turner for a few reasons. First, I can’t stand Ted Turner. Second, after watching the depressing segment about toxic “e- waste” I needed to laugh so I turned on The Simpsons. And frankly, even on the days where I may be available to watch the end of the show, I am usually half annoyed and half repulsed at Andy Rooney. The annoyed part comes from the fact that he’s always, well, annoyed himself. The repulsed part comes from those eyebrows, which are in serious need of a pruning.

The bottom line is that the show delivers only some of the time. I recall watching the show years ago in the 1970s and it was always out for the controversial story, or a hard-hitting expose. There seemed to be real investigative reporting going on. Now, we don’t get those kinds of stories as much. Maybe there are more concerns over lawsuits, maybe people have just gotten wise to the show and don’t feel the desire or the need to talk to a "60 Minutes" interviewer. After all, the show has been on for 40 years, so it’s bound to lose its edge after a while. Still, the segment from Scott Pelley gave me hope that somewhere the old "60 Minutes" is still out there, waiting to uncover some wrong that needs to be righted.

So even though I don’t watch “60 Minutes” for the full 60 minutes, I think the show still has value and provides some interesting commentary on those things that we sometimes don’t know about or think about. Well, except maybe for that Ted Turner story, he’s someone I’d just rather not think about at all.



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Thursday, November 6, 2008

CSI NY “Enough” Makes One Want More

With each week, CSI NY continues to impress me for many reasons. Unlike its Miami counterpart, the stories and cases are interesting and relatively believable and the dialog crisp.

In this episode titled “Enough”, three people are found dead from gunshots. One is shot in a bar, one is found dead on the street (we see him shot while in the back seat of a car with a woman), one is shot in his apartment after what seems to be his own personal drug party. The victims are later identified ad Michael Jones, Duckins LaBranch and Luther Stockton, and Mac recognizes their names. They are drug dealers who were set to go to trial for murder the next day, and Mac had worked on the case.

When the trial opens and the three defendants are nowhere to be found, Mac (Gary Sinise) steps up to the judge and states that all three of them are dead. Outside the courthouse, ADA Natalie Greer (Heather Mazur) tells Mac there was a deal made where the three were going to rat out another dealer in exchange for lesser sentences. She refers him to Jones's lawyer, Jacob Donovan, and after pressure from Mac, he tells him the three men were going to rat out a dealer named Petrix DeRosier. But, before Mac questions DeRosier, Danny discovers that two recovered murder weapons at the scenes of the three separate shootings were the same guns the three men used in their initial crime. Later, Danny (Carmine Giovinazzo) and Flack (Eddie Cahill) question Petrix, and all he tells them is that the murders were bad for his business. When Stella (Melina Kanakaredes ) and Detective Angell (Emmanuelle Vaugier) find the vehicle Duckins was killed in (the woman with him turned out to be a hooker and she stole the car after the shooting) Stella finds the third murder weapon in the car.

While all this is going on, Adam (AJ Buckley) uncomfortably approaches Mac and seems concerned about his job. Was it “the paper airplanes or the dancing” he asks. When Mac looks befuddled at Adam's question and why Adam is acting the way he was acting, Adam tells him he’s being let go, and he shows Mac a letter stating that fact. It seems that Mac’s boss Chief Sinclair is making cuts, and Mac won’t stand for it. He argues with Sinclair over the phone and tries to think of other cuts to make like waiting six months to purchase state-of-the-art automated workstations. Stella brings him to his senses, and reminds him of the critical need for the workstations.

Back to the case. When Mac finds out that Maggie Hall (Katherine Cunningham-Eves), the woman who gave him critical information in the past to help bring charges against the three men, is called as a witness for the trial, he is concerned. He had promised Maggie that he would do all he could to avoid her having to testify. When Mac visits Maggie, he is shocked to see her face with multiple deep cuts, and she tells him that they did this to her to stop her from testifying. Maggie’s three brothers are also there, very upset with Mac that he seemed to have broken his promise.

Later, they clear Petrix DeRosier based on electronic surveillance evidence, which gives them alibis. Evidence may imply Maggie’s three brothers. It seems a logical leap that the three brothers killed the three drug dealers. But Adam, after sifting through and printing all the glass found at the bar scene, gets a print off a glass and it a match for Jacob Donovan (J.R. Cacia), Michael Jones' lawyer. Under separate questioning from Danny, Flack, and Mac, they confront the three defense lawyers with their belief that the lawyers had possession of the guns the three drug dealers used in the original crime, and the lawyers used them to kill their clients over their disgust after what they did to Maggie. Of course, they had.

As a closing note, each team member comes in to Mac’s office to tell them their vacation plans have changed and they won't be taking them, and Stella clues Mac in that a friend of a friend of a friend ( and so on) helped her to transfer the allotted vacation funds to help cover the cost of keeping Adam, at least until they can find a permanent solution to the budget problem.



This episode was very entertaining because it kept viewers guessing. It also played a bit of a creative trick when it seemed to dish up the three brothers as the logical killers. It never crossed my mind that the defense attorneys would have done it I guess maybe even defense attorneys get fed up with the scummy clients they defend. The lawyers took the law into their own hands. It’s also in stark contrast to the episode of Law & Order (“Rumble”) that aired directly opposite this episode of CSI NY, where a brother of a man killed in a street fight took the law into his and his friends own hands and caused a near riot where people were beaten and killed. The episode of Law & Order had a grittier, heavy-handed message – a person can’t dish out their own form of justice, and they go after the killers with the heaviest hand of the law. In this episode of CSI NY, though, it almost seemed like they wanted you to feel that the lawyers had good reason to do what they did, almost rationalizing it. After all, when Flack asks Mac “What if it were your sister?" Mac pauses and responds "I'd kill them.” I would have preferred a heavier hand with the attorneys in having them to pay for their crime.

I think they want the viewers to have a sense of discomfort about Adam’s job security, but I don’t see it as an issue, seeing that they seemed to recently give AJ Buckley billing in the main show credits. Still, a dose of reality is sometimes needed in the CSI universe, which sometimes doesn’t seem to mirror what happens in a real life forensics operation. Budgets can be an issue. But rest assured, I think Adam still will be the go-to guy when it comes to doing all the time consuming tedious work, and I think that every show needs to have someone on which one can dump all the dirty work no one else wants to do.

It was also nice to see the group make sacrifices to temporarily plug the budget hole and keep Adam, but how much time really could they buy? A few weeks vacation really would only buy a few weeks. That may be all the show needs to resolve the story arc.

What makes the episode really work is that we get a good mix of the detectives working together and interacting as a cohesive team. It seems that the personal drama of the previous season has been lifted a bit, and I think the show was dragged down because of it. So far, the show has dealt with personal issues with a lighter hand, and I think it makes the stories tighter and a lot more interesting.

So as far as this episode “Enough”, I think I would really like to have “more!”



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Tuesday, November 4, 2008

CSI Miami “Wrecking Crew” A Total Wreck


This episode actually had possibilities. It had as strong opening. But then it seems to have wrecked itself under the weight of a completely ridiculous story.

In the opening of the episode, Calleigh (Emily Procter) and Eric (Adam Rodriguez) are talking to William Campbell (Tim DeKay) in a high-rise apartment filled with expansive windows. He’s going to testify against the local mob boss, Joey Salucci (James Russo) in a murder trial. It seems they have him in a safe house. Now think about it, how safe would you think you’d be in a high-rise apartment with such expansive windows that it would be easy for anyone to see your every move from another building?

There are other reasons why this place isn’t so safe. While Campbell is going over his testimony for the grand jury, a huge construction crane smashes into the building, throwing the three of them into the wreckage. Calleigh is thrown away from the crumbling edge, Eric is pinned against a wall, but Campbell is hanging over the edge. Calleigh tries to save him, but he falls to his death. And then…without Horatio Caine (David Caruso) present, we hear the traditional opening “scream.” I thought the scream only worked for David Caruso, but I thought maybe the fact that Calleigh got the scream, after her silent gaze down at Campbell’s body, that may, just maybe, this episode had a chance at being good.

I was wrong.

This episode was flawed on so many levels. The most obvious was the murder case for which Campbell was expected to give his grand jury testimony. Calleigh and Eric seemed so sure this would gain them a sure indictment against Salucci. But anyone who has even watched 5 minutes of a credible crime show like Law & Order would know that his testimony meant nothing. Why? Because he SAW nothing. He saw no murder, he only heard a gunshot. There was no body. He never saw the face of the shooter. I’m no lawyer but I think that I could poke tons of holes in this. In fact, if I was on a grand jury, I am not sure this information is strong enough for an indictment.

Another thing that seemed wrong was the construction crane. It looked flimsy for its height. But, the base of the crane at ground level looked wrong. A freestanding crane should be firmly attached or bolted to the ground, and that one looked more like simple red scaffolding at ground level than an actual crane. It looked like a cheesy erector set crane. No, even those look better.

When Ryan (Jonathan Togo) is in the cab of the crane, he finds blood. When Boa Vista (Eva La Rue) is testing the blood sample, she praises it for being “pristine.” Does that mean that the other blood they examine is usually contaminated? I found her observation odd to say the least. And why praise Ryan for collecting a blood that he just happened to find? It’s not like he had anything to do with its quality when it was deposited there. Also, Ryan seemed to be able to find the crane’s black box – which is later called a “tattletale system” too easily. How did he know what it was just by looking at it that it was a system of capturing all the crane’s activity?

One red herring was the project manager, Travis Drake (Joe Penny) who did nothing except volunteer his high-rise property to use as a safe house. Excuse me, but how can a location be considered safe if an outsider volunteers it? His motives for doing so would have been questionable at the time, especially since it was the only finished apartment in the whole high-rise. And how convenient that the construction crane just so happened to be at the exact level of the only finished apartment in the whole building that was on level with the crane? And, lucky for them that there happened to be one car – just one – that was at the construction site that happened to leave pristine tire marks in the nicely placed, undisturbed dirt around the site.

Later, when Eric and Calleigh speak to the Campbell’s wife Beth (Melinda McGraw) and her son Noah (Devon Graye), Beth gives Calleigh a slap on the face for invoking her husband’s name. There are days I have wanted to slap Calleigh for a lot less, so this was a great scene. But, her slap later turns into an apology when she finds that her son is the one who operated the crane by remote and when he lost control, it crashed into the building. Of course, her son got the information on how to do it on the big, bad, internet, which, if you believe these crime shows, only bad things can happen when you get information off the internet.

And I still contend that Miami has the dumbest criminals around. Why would Noah leave the remote in the trash right on top of the building that he operated it from? They made it sound like it was so big that he couldn’t have hid it to remove it. It wasn’t all that big, and frankly, since no one would have been looking at the neighboring building after the crane crashed, he could have walked out the door with it and just thrown it away in some public trash bin. And the man who shot the guy who accidentally killed Salucci’s daughter decides to leave the bullet at the crime scene by flushing it. Now really, wouldn’t it have been smarter to just walk out with it and throw it away in some public trash can a ways away from the crime scene? Also, how did he get out of the club with the guy, who was clearly shot and yelling? If he wasn’t dead when he removed him, how come we didn’t hear him yelling in pain on the 911 call? Did the shooter knock him out too, and if so, how could he NOT be seen dragging out his body? This just didn’t make sense.

But amazingly, while they seemed desperate for Campbell’s testimony with the grand jury in order to indict Salucci, this crack CSI team never seemed to have previously considered checking the audio tape of Campbell’s 911 call before. The 911 call in itself was strange. Think about it – you’re in a public rest room, you’re trying to be quiet so the shooter can’t hear you, yet you get on the phone and whisper? I would think that even despite the loud music, someone would have heard him. And why was the sound of the flushing toilet in the next stall seem so quiet on the 911 call, when the music in the background was so loud? Those public toilets make A LOT of noise when they flush. In fact, ANY toilet makes a lot of noise when it flushes. This just seemed like poor detective work to me that they didn’t check the 911 recording sooner. And lucky for them that the bathroom crime scene remained intact after the shooting because the owner had to close because of lack of business. This allowed them to find the magic shell casing which luckily had a fingerprint burned into it, despite it being flushed. Luck, luck, and more luck.

Of course, they finally get Salucci for the murder of his daughter’s “accidental’ killer when they find lily pollen on the dead man’s body, which luckily Horatio has seen Salucci at his daughter’s grave with the same type of lily. More luck!

All the evidence and the situations surrounding all the crimes in this show are just too convenient. It makes for a boring show and one that is an easy target for ridicule. And David Caruso doesn’t deserve any blame for this one, because it’s the writers who come up with all these contrivances that are really at fault. They’re the real wrecking crew here. In fact, I am starting to feel very sorry for the CSI Miami team because it requires little acting. Emily Procter’s reactions of shock, fear, and then horror when the crane smashes into the building and Campbell falls to his death are later erased as the amateurish story unfolds. Compare this show to any of the CSI and CSI New York shows from this season and it seems clear that while those two continue to maintain a very high quality, CSI Miami is becoming cheesier.

Viewers deserve better. And frankly, so does the cast of CSI Miami.


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Monday, November 3, 2008

Get Ready For Election Day News Coverage

Too Much Politics Can Make Anyone Ill

For the last two years – it seems like an eternity – our news shows have been filled with election talk. It started even before the primaries, but it went into high gear as the primaries progressed, and has continued to escalate to the degree that one almost can’t escape it. Even for news and politics junkies like me, I think I’ve reached the limit.

But wait, there’s more. Election Day. It all leads up to this, and many of the networks are touting full day coverage, either on their main broadcast channels, or their cable equivalents. I think NBC Universal may have the most chance to grab viewers, with coverage on NBC, MSNBC, and probably even some coverage on CNBC. Usually on election night I find myself flipping channels, desperate to find something non-political to watch. This year, though, I think I will probably remain glued to the television, especially after the polls close here in the Eastern Time zone. My network of choice – NBC. They always seem to have the best coverage across the country, and I like their on-air people like Brian Williams. The fact that Tim Russert had passed away makes no difference to me as I wasn’t all that taken by his political analysis anyway. His political replacement, Chuck Todd, seems to do just fine. In fact, Chuck seems to have more easily embraced the new technology available for graphics, and I think this helps him explain things a little more clearly than Russert.
But, even I have limits with political coverage and unless there is some big surprise coming when the results come in, I’m content to go to bed like normal and wake up and find out who will be the new Big Man on the White House campus.

And speaking of political coverage, for the first time in a long time, I watched the Fox News (AKA “Faux) “Cost of Freedom” two-hour block of business shows on Saturday. I was appalled at their lame attempts to paint the Democrats, and Barack Obama, in the worst light possible. They should be ashamed of themselves. When they refer to themselves as fair and balanced, they’re kidding, right? Come to think of it, I haven’t heard the fair and balanced tag line from them in a while; maybe they dropped it because the FCC would go after them for false or fraudulent advertising? If the apparent shift in political power in the presidency and the Congress takes places as projected and the country is in fact leaning democratic, this may begin to put a few nails in the Fox coffin. We can only hope, because their kind of political coverage – or their “news” coverage - is simply poison.


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Wednesday, October 29, 2008

House: No ”Joy” Here

I have a hard time describing last night’s episode of House, “Joy.” I found it interesting at first, with the patient of the week having some sort of mental problem where he seemed to be loosing big chunks of time. But, as t unfolded, the patient’s story seemed a little predictable to me, and I actually figured out the guy was sleepwalking long before House did. I also don’t know why it took so long for them to see that his daughter also had a problem. Maybe because House is too worried about his own life and messing around with the lives of his colleagues that he forgets that his job is to be a doctor.

The other case involved a woman who was carrying the child that Dr. Cuddy (Lisa Edelstein) was to adopt. No surprise – the woman develops a simple medical problem, which turns into a complicated medical problem. Of course, the patient decides to put her own life above the life of the baby she is carrying, much to Cuddy’s dismay. Everything seems to turn out fine when Dr. Chase (Jesse Spencer) helps to surgically delivery the baby and the baby cries, indicating her lungs seem to be working. But Cuddy’s joy with baby “Joy” disappears quickly when the birth mother decided to keep the baby. No surprise here, either.

During this whole episode, House (Hugh Laurie) acts like a spoiled brat, trying to convince Cuddy she’d be a terrible mother. He thinks Cuddy will put her job first. He thinks she’ll have wardrobe fits from getting a little baby barf on her clothes. He thinks Cuddy won’t like her nice things broken. Now really, did House have to knock her desk lamp onto the floor to break it to make his point? Who is really the baby here? It sounds like someone needs a time out in the corner.

When House interrupts surgery with the baby’s mother in order to get Cuddy to sign some papers, she is angered by his presence. He doesn’t seem to care. This is the guy that seemed worried that Cuddy would find a child an intrusion to her work life, yet when she seems to want to put the baby first, he behaves like a child who feels ignored my his parents.

Things come to a head when, as Cuddy is at home, upset about not getting the baby, House arrives and tells her there are more babies out there. It was heartless in a way; like telling someone that just lost their own child that they can just have another. While Cuddy never carried the baby, she had planned for it as if she had. She tells him she’s not going to go through it again, and he flippantly tells her "It's too bad, you would've been a good mother." Cuddy explodes at him, saying that when she was planning for the baby he told her she would suck as a mother, but now that she doesn’t have the baby he says she would be a good one. She asks, “Why do you have to negate everything?” to which House responds, “I don't know’. Then, in what I think was a somewhat awkward scene, he leans down and they share a kiss. But, there was something about that kiss that made me groan. I was hoping the show would never go to any type of House/Cuddy romance, or even hint at it. Still, the kiss seemed hardy romantic in a way; in fact, it seemed like House was just taking advantage of her. Of course, he immediately leaves, quickly detaching himself from the situation.

Another thing about this show that annoys me is the unconventional ways that they get information to use to diagnose a patient’s illness. The silliest one was when House sent Taub (Peter Jacobson) and Thirteen (Olivia Wilde) out to buy cocaine. Yeah, right, like any real, reputable doctor would commit a felony and risk their careers for a patient. I swear some writers are just sitting in a room, thinking “what stupid things can we make House get those doctors to do?” It seems that there is no foundation in reality for House’s medical and diagnostic techniques. Breaking into homes, buying drugs, private investigators... what's next, posing as a prostitute?

By the way, the original patient – remember him? – and his daughter seemed to be
anhidonic, or incapable of feeling pleasure. But Foreman (Omar Epps) doesn’t think their profile matches. House deduces that they were lying about their backgrounds and the man admits his name was Jamal Hamoud and he changed it year ago when the U.S. invaded Iraq the first time. House explained they had Familial Mediterranean Fever, a disease contracted by people of Mediterranean decent. And you know, I didn’t really care what was wrong with them. You see, the patient of the week has long ago ceased to be interesting. It seems all we get is a rattling off of symptoms and more guesses on the diagnosis. They are only a backdrop to the juvenile antics of House, which themselves have seemed to become too staged. In fact, House is becoming more like an immature child every week. I almost wish he was back to being a drug addict.

The preview of next week disturbed me a bit. If, in fact, that House was referring to Cuddy when he said he “hit that last night and now she's all over my jock", it seems like "the kiss" really was meaningless for him and he was only using her. Hopefully Cuddy will not be more of a target for his growing meanness. It truly is sad that after all this time, House hasn’t grown or developed into anything more than a doctor who is unhappy with himself so he seemingly wants everyone else to be miserable. He certainly has no joy in his life, so he envies and is skeptical of any of his colleagues that seem to want joy in theirs.

But as far as this episode “Joy” – it was devoid of any of it.





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NCIS Murder 2.0: Unbelievable 1.0


NCIS is one of those shows that I watch faithfully every week, but I’m not quite sure why. At least this season has been more enjoyable since they got rid of “Madame” Director. They’ve also seemed to tone down the immature banter between Tony and Ziva (Cote de Pablo), and, well, between Tony and anybody else for that matter. The chemistry between the cast members is very good, and that’s what makes the show so watchable. Now I’ll admit, I usually DVR the show to watch later, because I’d rather watch House.

In this episode of NCIS, “Murder 2.0", it seems that there is a serial killer on the lose. You know, with all the crime shows with story lines on serial killers, it seems like the country is flooded with them. I have never been a fan of serial killer themed shows because the stories are usually filled with trite plot contrivances. As in this one, the serial killer seems to have his/her eyes set on Special Agent Leroy Jethro Gibbs (Mark Harmon). I guess serial killers just like to taunt member of law enforcement.

The NCIS gang gets pulled into the investigation of a murder of a Navy Petty Officer. It turns out that someone left a message in his mouth that had only a web address on it. The web address led them to a video which gave them cryptic clues about the crime. While investigating the crime, they encounter a fledgling rock band to which the murder victim had belonged. The girl in the band, Rose Woodhouse (Naama Kates) makes eyes for Gibbs, much to the dismay of Agent Tony DiNozzo (Michael Weatherly). And, what a coincidence: Rose recognizes a place in one of the videos, and they find another body at the location with another message in its mouth with another web address and another video. Also on a tip from Rose, they track down a person who may have made the video, Sam Loomis (Max Gail) who indicates that he made videos like that for the band from a canned program off the internet. The one thing that is becoming clear is that to be a serial killer these days, you must have access to the internet.

Abby (Pauley Perrette) gets a scare put into her when she taps into a feed which shows that someone has video of her lab. But Agent McGee (Sean Murray) realizes it’s a live web camera and the killer may be right outside Abby’s lab door. Not to worry, though, it’s only the janitor, and someone planted a camera in his lunch box. This place has terrible security.

Based on all the video evidence, they believe the next murder will come at 5 minutes to midnight, and they decide to haul in Loomis, thinking he is the killer. But no, he’s not, and magically he dies in their custody at 5 minutes to midnight. Now that is one precise and crafty serial killer. And of course, it’s not Loomis because he is now dead.

To make a long story short, they think it’s Rose who is behind all this, and when they arrive at the garage where the band practices, she is holding a gun on her band partner Tommy Doyle (Patrick J. Adams), refusing to put it down. She looks panicked, and Gibbs correctly deduces that she’s not the killer; it’s her band mate Tommy that is making her do it. But wait! He’s wired her with C-4 explosive and he has the kill switch! But Gibbs talks him down, reminding him that he doesn’t want to die! Of course, the serial killer wants to be famous! And he thinks he made both he AND Gibbs household names! But, they rob him of his fame by having the media not release his name and Gibbs name as well. Oh, the drama...OK, just kidding.

Seriously now, this whole episode was just plain ludicrous. For a serial killer who made all these videos, set up all these web addresses, broke Navy security to plant a web camera, planned a man’s death – in custody no less – to the minute, and obtain and wire someone with C-4 explosives, he seemed incredibly stupid. Did he really think that Gibbs and the crew would just shoot Rose? And why was he so fixated on Gibbs? Maybe I missed something, but was it because Gibbs just happened to catch the case and Rose was smitten with him? Did it not matter who investigated the original case, he just wanted someone to taunt? And why must TV serial killers always seem to be fixated on taunting members of law enforcement? It seems like any serial killer that I’ve ever read about in the REAL world do their best to lay low and keep out of the eyes of the law. Why send law enforcement hints and clues to your crimes? I don’t get it. I suppose if serial killers didn’t do that for TV, then these agents and detectives would actually have to investigate a case using real evidence, and they wouldn't get solved so quickly.

This episode was not horrible, but it was not one of their best. Hopefully, we won’t ever get to Murder 2.1.




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Tuesday, October 28, 2008

Halloween In The CSI Miami Lab


Since CSI Miami was a rerun last night, I though this was a good time to trot out some CSI Miami Halloween images for all of you to enjoy. You've probably always wondered what goes on in the Miami Dade Police Lab on Halloween, now you know! The intent was to have some fun with fan’s favorite CSI Miami stars like David Caruso, not to mock any of them.



David Caruso Buys Some Pumpkins. I wonder why he chose these?



David as Dracula



David as “The Mummy”




In the CSI Miami Halloween Lab




It…Is…Alive!

I always knew they used magic in their lab!

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Monday, October 27, 2008

Mad Men: "Meditations” on a Season Finale


In this episode of AMC’s “Mad Men”, “Mediations in an Emergency”, it seems that while the US is involved in Cuban Missile Crisis and the threat of nuclear war increases, there are bombs dropping all over the place in the lives of the people at Sterling Cooper.

Here’s what happened, my review after the recap:

Betty (January Jones) finds out that she is pregnant, and she doesn’t want to go through with it. The doctor doesn’t seem wiling to “help” her in this predicament. In fact, he seems to take the approach that because she is a married woman of means, she should just go along with it and everything will be OK. But it’s clear Betty isn’t as confident.

While in Harry’s office with Peggy (Elizabeth Moss) and Kisney (Michael Gladis), Ken Cosgrove(Aaron Staton) brings is their revenue projections. They speculate as to why this information is needed, and Harry (Rich Sommer) complains that the Clearasil information is missing. They also speculate if it has something to do with Don’s sudden and mysterious absence. Harry thinks Don is out there landing a big aerospace contract, while Kinsey wonders if Don is going to break out on his own. Harry is also concerned that President Kennedy's speech will run over prime time and throw a wrench into his ad spots. After Peggy leaves the meeting, she goes to Pete and questions why he hasn’t broken the news about the loss of the Clearasil account. Pete doesn’t know if he can just tell Duck that his father-in-law hates him, and Peggy urges him to be honest, and that people respect honesty.

At the stables, Betty gets off her horse – despite her doctor’s warning not to ride – and Don (Jon Hamm) is waiting. When she asks where he has been, he says he just needed time to think, and Betty sarcastically tells him that must be nice to need the time and take it, with no concern for others. He admits he was "not respectful" to her, and she says that at least his admission means she's not crazy. He wants to get back together, he wants to see the kids, but she says she can’t deal with that right now and will make arrangements for visiting with the children.

Back at Sterling Cooper, Pete (Vincent Kartheiser) stops by Duck’s (Mark Moses) office, and he pours him a drink. Pete tells him they lost Clearasil and Duck correctly concludes that it’s problem with Peter’s father-in-law. When Pete says he is working on replacing the account , Duck confidentially tells him about the merger and that Clearasil would have been in conflict with a British client so it really doesn't matter. He recognizes Pete’s loyalty during the American Airlines crash, and then says he says he will place him as head of accounts. He says he can do this because he will be the new president of Sterling Cooper. After mutual congratulations, Pete wonders about Don’s acceptance of this whole thing, and Duck tells him that as president, he doesn't need Don's permission to promote Pete. He also says that Don will fall in line or find another career outside of advertising because of the non-compete clause in his contract.

The next day, the Cuban missile crisis getting even more intense, Don returns to Sterling Cooper. Joan (Christina Hendricks) is happy to see him, and Don seems surprised to see Peggy come out of the office next to hers. She explains that Roger gave her the office because she landed the Popsicle account. Joan follows Don into his office and she briefly brings him up to speed, and he sets up a meeting with his team and then with Roger. As Joan leaves, Pete enters. They talk briefly about Don’s disappearing in California, and Don tells Pete hr left him there because he knew he could handle it. Pete seems surprised to hear that Don had confidence in him. When Pete says he's is very close to landing North American Aviation, Don says he obviously made the right call and said “good work.” He also advises Pete that he knows he wants everything the minute he wants it, but sometimes it's better to wait until you're ready. Pete questions - “so you think I'm ready?” Don says he is, and Pete seems energized by Don’s positive comments.

Don arrives at Roger’s (John Slattery) office, and they briefly discuss his three-week absence. Roger says he hopes Don was looking for a job since he's going to need one, but Don counters that he'll stack his absences up against Roger's any day, and that the office walls still seem to be standing. Roger agrees, but says the sold those walls to Putnam, Powell, and Lowe. Don seems stunned. Roger adds that PP&L is arriving on Friday to talk about strategy, management structure and logistics. Don asks how much, and Roger says he'll clear a little over a half million dollars. Roger also tells him that Duck put the deal together in a bar, and Don questions "Duck was in a bar?" When Don asks if there were any conflicts with the deal, Roger tells him Mona hasn't been pleasant since his engagement. Don laughs - he meant the business deal. Roger tells Don that Cooper and Alice jumped on it, and Don can go back to his office and try to figure out how much money Roger made out of the deal. As they shake hands, Roger adds. "Kennedy's daring them to bomb us, right when I get a second chance." Don says that nobody really knows what's going on.

At church, Father Gill (Colin Hanks) is giving a sermon about Khrushchev, Kennedy, and Castro and the threat of nuclear war. He tells the congregation not to be angry, even on the cross Jesus forgave his transgressors. As he says they are all sinners, they all bow their heads and pray .

Betty is at the hair salon, listening to talk about the threat the country is facing. One woman asks them to stop talking because it is upsetting her daughter. Francine (Anne Dudek) says the Times said people should tell their children and adds that her husband Carlton says he heard the market crashed because there are Russian troops off the coast of Key West. The other woman continues to tell her to cut the chatter. As Francine gets up to leave, she comments to Betty that she looks “wan”. She offers her a Miltown (tranquilizer). Betty declines and admits to Francine she's pregnant. Francine gives her a half-hearted, questioning "congratulations" and adds that her daughter was an accident and look how happy she is now. Betty says she can't have the baby and worries what she's going to do, it's not a good time. Francine tells her there is a doctor in Albany – or Puerto Rico – the latter not a good place to be right now, that can take care of it. She tells Betty sometimes the best thing to do is to do nothing and wait.

Back at Sterling Cooper, Kinsey, Cosgrove, and Sal (Bryan Batt) are banging on the static filled TV in Harry’s office, worried about both the Cuban crisis and the accounting evaluation. When Harry arrives and messes up the TV even worse, they decide to find out what’s going on at the company. They corner Lois from the switchboard for information, who resists telling them anything at first because they are not supposed to talk about what they overhear. But, she tells them about the merger anyway and possible job looses due to redundancies. Clearly rattled by the news, they thank her. She says that if any of them get to stay one of them has to take her off the switchboard and they agree, even though it’s clear that is the farthest thing from their minds.

At Don’s hotel room, Betty has dropped off the kids for the evening, and tells Don to drop them off in the morning. The get room service and watch “Leave It To Beaver.” Walking past a department store window display she mulls the well-dressed mannequins. After shopping, she enters a bar, she orders a glass of water, and a gimlet. The bartender tells her that a man at the end of the bar had paid for the drink. He later approaches her and she gives him a bit of a cold shoulder, and when he asks her name, she simply thanks him for the drink. When Betty goes to the rest room. She finds it’s locked. While waiting, the man who bought her the drink approaches her and asks what she's doing here. When she answers that she's waiting, he moves closer towards her and kisses her, and she responds in kind. He opens a door to a private room, and she says she's married. Laying on a couch in the room, he begins to remove her clothes and continues to get passionate. When they are done, as she is fixing her hosiery, he asks her name. As the bartender opens the door, they are quickly exiting and he asks what they're doing in there.

At the church Peggy is dropping off some food, Father Gill asks how she is and she has discomfort with a possible nuclear war, as they could all be gone tomorrow. He says he feels like God called him to the parish to reach her, and she seems taken aback. He adds that hell is serious and very real, and she should “unburden” herself otherwise she won't know peace. She says he's upsetting her. He continues that is her guilt, she needs to reconcile herself with God or else she'll go to hell. She responds that this can't believe that that's the way God is and she leaves.

Pete’s wife Trudy is going into hiding with her parents, and she's bringing the silver just in case. She wants Pete to come but he points out the futility of going there if a nuclear war should occur. He’d rather die in Manhattan. Trudy says if he loved her he'd want to be with her, and he agrees. But he still doesn’t leave with her, only offering to help pack the car.

While Sal, Kinsey, Cosgrove, and Harry all listen to news of the Cuban missile crisis, Harry seems even more concerned about the impending doom at the company, saying that there are good canapés in the fridge and the conference room being signed out for the day. Kinsey also says they shampooed the carpets. When Cosgrove calls Pete over and asks about the gossip, Pete says he's just waiting to see what happens. Harry tells them that his dad apparently told him that regime changes are always sticky, and that loyalists get hung so it’s best to remain neutral. Harry adds that to PP&L they're all just a bunch of numbers on a ledger and they don't want to get caught on the wrong side of the bottom line. Pete adds nothing and walks away.

Pete goes to Don's office and says he's coming to Don anonymously with information. He proceeds to tell him that he knows about the merger and about Duck being president. When Don asks why Duck would tell Pete, Pete says Duck must be picking sides. Don also questions why Pete is telling him, and Pete says if he was Don he'd want to know. Don is thankful. As he leaves, Pete notes that the U.S. stopped a ship this morning and the Russians may be reconsidering now that the U.S. is making a stand.

At the Draper house Betty enters and finds a note from Don that he left with Carla for her. As she reads it, we hear Don's voiceover. He wrote the letter while he was with the kids, and while he regrets what he did, he understands why she wants to go on without him. She is thinking over his letter very seriously.

At Sterling Cooper, Don sits in on a meeting with the PP&L people and Duck, Bert (Robert Morse), and Roger. PP&L says Sterling Cooper will have some autonomy. Bert says they're not expecting autonomy, but is curious as to who is going to be running things. They respond that it’s Duck, who fakes his surprise and accepts immediately. Roger says it makes sense, and Bert congratulates him. Duck says he will treat the founding members of Sterling Cooper with the respect they deserve. The PP&L people turn the meeting over to Duck to hear his vision, and he says he's a little unprepared but that he wants to bring the company to financial maturity. This means Creative can't be running the show, and he wants to go all in with television. Bert comments that he didn't hear the word client once. Duck adds that when the economy is good, people buy things and when it's not they don't so there's no reason to give in to Creative's fantasies. PP&L calls it ambitious, but Bert wants Don’s opinion. Don says he thinks it sounds like a great agency, and Duck is the man for the job, but if that’s how it shakes out, he leaving. PP&L seems surprised, but Duck seems to enjoy Don’s reaction, calling it an outburst of Don's artistic temperament. He adds that Don loves to hear his own voice and to save the day but now he needs to get with a team, that Don he can either honor his contract or walk out the door and start selling insurance. Cool, calm, and collected Don drops a bomb of his own: "I don't have a contract." Roger nonchalantly states that since they're close he didn't think they needed one. Don rises, buttons his coat, saying he sells products not advertising, and that he can't see as far into the future as Duck but if the world is still here Monday, they can talk then and leaves.

Duck is doing a slow burn, and says to let him go and that he can hire a young gun to replace him. He also raises his voice about Don’s three weeks absence while he put together the deal, and pounds the table. Roger advises him to simmer down, but the PP&L people are slightly unsettled but trying not to show it. They ask Duck to leave for a minute. After Duck walks out of the room, Roger asks if it affects the merger, they are reassure it doesn’t, that Duck could never hold his liquor.

As Don is leaving his office, Joan tells him that Betty called and wants him to come home. He tells her to go home also, but she declines. Later, as the office has cleared out, Pete stops Peggy as she is leaving and asks her to have a drink with him. Pete clearly has something he needs to get off his chest, and he tells Peggy he thinks she's perfect. She says she's not. He reinforces that she is and that he wishes he'd picked her then, and adds he loves her and wants to be with her. She smiles a forced smile as he grabs her hand. She has something on her mind, too, telling him she could've had him in her life forever if she wanted to and she could have shamed him into being with her but she didn't. He looks confused, and she goes on to tell him about the baby. He is silently shocked when she says "I had your baby and I gave it away." She wanted other things. Pete is clearly thrown off kilter by this news. She adds, "Well, one day you're there and then all of sudden there's less of you and you wonder where that part went, if it's living somewhere outside of you and you keep thinking maybe you'll get it back and then you realize it's just gone." She apologizes, and as she leaves, she puts her hand on his shoulder.

As the story close, we see Don coming home, the kids cheering. He sits next to Betty on the love seat while the kids watch TV. At Sterling Cooper, it appears Pete is at his desk in the dark, looking like he has a rifle in his hands. Peggy lies in bed, crosses herself, and prays. At the Draper household, Don enters the kitchen, the kids are in bed. The news is on TV, and Don shuts it off when Betty says she has to talk. She tells him she's pregnant. Don looks serious and Betty seems uncomfortable. Don reaches for her hand across the kitchen table, and the episode closes as they sit there silently.


I thought this was an excellent episode, which tied together many of the events of the season. The backdrop of the Cuban Missile Crisis seemed fitting, as the fate of the entire country was on the line at the same time as the fate of so many involved with Sterling Cooper. And while everyone seemed to be dropping some bombs of their own, the only one that I didn’t see coming was Don’s announcement that he had no contract. It is possible that this issue came up before and I just missed it, but it was a total surprise to me and clearly a surprise to Duck and the PP&L gang. In fact, I think I enjoyed that scene the most, as Duck may be seeing his spot in the president’s chair slipping away. In all honesty, I thought for a minute that Roger and Bert held back the information about Don’s lack of contract on purpose, maybe just to stick it to Duck. While we have to wait a while for the “Monday” that Don says that will be coming, I suspect that his value to the company will outweigh Duck’s. And if Duck remains as president, I suspect his drinking will get the better of him soon enough.

Clearly there is more wrong with Betty than just her pregnancy. Her increasingly risky behavior implies more trouble ahead for the Drapers. Sure, Don is back home, and Betty has dropped on him the news of her pregnancy, but still it seems that she is not happy with her life, and there is probably more to do with it than Don.

I was also interesting to see Peggy take her own advice and tell the truth to Pete, although he seems crushed by her news. In a way, rather than confess to Father Gill, she decided to confess to Pete, because that is probably the only way she can begin to move forward with her own life. But, can Pete handle the news? I was also glad to see Peggy stand up to the priest and refuse to buy into his view of God which frankly doesn’t sound very god-like.

Pete also played it smart by giving Don the heads up. Granted, he did it only after Don complemented him, but it showed that Pete had the smarts to try to use the information he had to play both sides. By straddling both sides, he may land on his feet no matter who winds up in charge, be it Duck or maybe Don.

All in all, this was a very complex, layered episode that left me anxious for more. Overall, the series is mature, it’s deep, it’s compelling. Sadly, we’ll all have to wait a while for the new season to begin; hopefully there will be one. There really is no drama on television quite like this.

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Saturday, October 25, 2008

Law & Order Returns In November – Fans Rejoice!


Did you feel something odd yesterday? Was it like a small earthquake, or maybe a tremor in “The Force”? Did it seem that the stars realigned and suddenly the universe was back in balance? Well, it was none of those things. What you felt was the collective jumping up and down and the overall joy of Law & Order fans upon reading the news from NBC that their beloved Law & Order would be returning on November 5, 2008. This is much earlier than the January premier date that was originally planned.

What is even better is that it is returning to its original Wednesday night at 10:00 PM time slot, which is where the show had lived for many years until NBC banished it to other not so preferred nights of the week. Law & Order fans now may seem vindicated in their original dismay years ago when the show seemed to be pushed out of the way for other shows which have since failed.

The show still faces stiff competition on Wednesday night, though, as CSI NY airs at the same time on CBS. And, after Law & Order moved from Wednesday night, the move only seemed to open the door to strengthen the viewership of CSI NY, which frequently dominates the time slot and is also frequently in the weekly ratings top 10.

That’s OK. There is plenty of room for more viewers, and I think that Law & Order fans who may have left the fold when the show moved may find themselves coming back. After all, the show re-energized itself last season with new cast members Linus Roache, Jeremy Sisto, and Anthony Anderson, and also by moving Jack McCoy (Sam Waterston) into the top spot as District Attorney. And when we finished last season, Jack may have found himself in a little trouble with the governor, which I suspect may come back at him this season.

So, there is a lot to be happy about. If you left the Law & Order fold a few seasons ago, it may be time for you to come back again. For the rest of you die-hard fans like me - continue your celebration!




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Wednesday, October 22, 2008

House: “Lucky Thirteen” Unlucky In Love


In this episode of House, “Lucky Thirteen” was almost as if the viewers were walking into a Dr. Greg House fantasy. At least, it seemed that way for Greg House (Hugh Laurie). It also seemed to bring back some normalcy between House and Dr. Wilson (Robert Sean Leonard.) Here’s what happened:

The patient of the week happens to be a one night stand, female lover of Dr. Hadley (Olivia Wilde) – who House refers to as “Thirteen” from her days of trying out for her current job. House probably wishes that his private investigator friend Lucas (Michael Weston) was stalking Thirteen when she brought over a lover that night. He would have enjoyed the pictures. But the situation wasn’t so enjoyable for Dr. Hadley, when her companion – whose name she didn’t know – has a seizure. Making matters worse, the woman had also been taking ecstasy with alcohol.

To make a long story short, the woman with Dr. Hadley, whose name I don’t think was ever revealed in the episode (she was played by Helena Barrett), goes through a whole host of treatments at the hands of House and his staff. Of course, the show can’t seem to get away from House and his gang taking educated guesses about what is wrong with the patients. At one point, he speculates the patient was a drug user, which annoys Thirteen. In fact, Thirteen seems to want to rule out many issues as not being diagnostically relevant. In typical House fashion, he also makes several sexual innuendo-laden comments (example: his "huge, throbbing ... diagnostic skills") during the differentials and some of the tests. House also seemed utterly thrilled to find an excuse to snoop through Thirteen’s apartment.

Dr. Hadley gets a rude awakening when her one night stand rates her as a 7, and also when she finds out that the woman sought out Hadley in order to get in to see House for her previous medical problems. Hadley seems unaffected. and tells her that she didn’t expect to see her again anyway. Still, when the team determines (of course, incorrectly) that the patient will die from what they think is wrong with her, Hadley determines that she, not House, should be the one to break the news to the patient. And she does so with what seems to be genuine care and concern. This may be because she knows her own disease – Huntington’s – is more advanced than she originally thought, and her own time may be short. This is also why Hadley seems to be engaging in somewhat risky behavior, and she tells Forman (Omar Epps) that having sex with strangers was her way of having some fun, that she’s "cramming as much life into my life as I can."

To make matters worse for Hadley, Dr. Cuddy (Lisa Edelstein) catches her giving herself an IV. Cuddy wants Hadley drug tested, but oddly, House defends Thirteen and takes her out of Cuddy’s office, leaving Cuddy to smolder. But, House says he did that only so he could fire her. He said he did so to save her from a drug test, which would have killed her career, and adding he’s "already taking responsibility for one doctor with a drug habit," popping a couple of Vicodin in the process.

House is also glad that Dr. Wilson has returned to his job, so glad that he played a prank on him and then laid in wait to see how it turned out. When he doesn’t seem to get the complete reaction he wanted from Wilson, he decides to have his PI Lucas look into what Wilson had been up to lately. During the course of their spying on Wilson, they see what looks like a prostitute enter Wilson’s apartment. The PI also thinks he’s hit pay dirt when he hands House a bag of Wilson's trash, which had some used syringes. "He's using," the PI concluded. House, happy, walked into Wilson's office and praised him for his craftiness. He knows that the syringes and the prostitute were made up because Wilson knew that House was having him watched. Wilson's prank may mean he's back to normal. House is even more impressed that Wilson invoked Amber's name in his elaborate deception. But, House still didn’t get the answer as to where Wilson was that morning. Knowing House would not let up on the surveillance, told House to be outside his house at 8 o'clock that night.

House later noticed that Thirteen's lips were cracked and concluded that the patient was suffering from Sjögren's syndrome, an autoimmune disease that causes tears and saliva production to dry up. It also made her mouth vulnerable to a yeast infection, which she had passed to Thirteen. Sjögren's syndrome also explained the patient's other symptoms, including the lung cysts. It also meant that the patient was no longer going to die. Of course, later, House un-fires Hadley.

House followed Wilson that night they were supposed to meet. He finds Wilson at a baby store where he and Cuddy was shopping for a crib. Cuddy reveals that she is adopting a baby and used Wilson as a character reference - that’s where Wilson was that morning. House looked stunned by the news. Cuddy asked if he was going to congratulate her, he responded, "If you're happy, I'm..." and he left the store.

Later, we see Hadley back at home, and she’s hooked up with another strange woman.

In this episode, the patient’s problem was not really the central focus. That’s usually the way it’s been with the show as of late. This was perfectly OK to me. The issue wasn’t the patient; it was Dr. Hadley and her own illness and her resulting behaviors. The whole woman-to-woman affair did seem rather gratuitous though. As I said before, it was as if we were walking into one of House’s fantasies, and he seemed to be enjoying it that way. In some way, I found the whole scenario just a little too forced. But, that may be because I just don’t care for Thirteen/Hadley. I was very disappointed when House rehired her. She seems to be overly depressing, and I don’t think it’s just her illness. Are they also making her character look shabby, maybe to make it seem like she doesn’t care about her appearance pr her own life. Maybe it’s just me, bit with her hair plastered to her head, it looks dirty and it makes her head look immense. Her appearance is actually a distraction to me and to the story.

The episode did seem nice to have some of the House/Wilson playfulness back. But the PI guy has got to go. His presence and his whole premise for being there is ludicrous. And frankly, it takes away from the House’s edginess. I also think the show is suffering from two many supporting doctors. Hadley got all the attention in this episode, but it seems that everyone else is fading into the woodwork. I find myself wishing that they would just cut some of them loose – maybe Cameron (Jennifer Morrison) and Chase (Jesse Spencer) as it seems their story lines have run their course.

Somehow, the show needs to get the drama back. It reminds me in a way of what happened to the USA Network Show Monk – when it first came out it focused on the drama, and now seems to be more of a comedy. (I stopped watching Monk long ago.) I hope House doesn’t go the same way, but it seems to be headed in that direction. Don’t get me wrong, I like the show and watch it because Hugh Laurie does such a fantastic job as Greg House, and he has a solid (but overstaffed) supporting cast. They need to get rid of the silly distractions – the PI for starters - and try to make House less of a comic character. I want his edge back, I want the drama back.




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Tuesday, October 21, 2008

Heroes "Dying of the Light" Resurrects A Petrelli

This episode of Heroes, “Dying of the Light”, seemed to stay in the present long enough to really help me follow the overall story a little better.

There were a few main story arcs in this episode:

1. Suresh (Sendhil Ramamurthy) dupes Tracy (Ali Larter) and Nathan (Adrian Pasdar) into thinking he wants to help them, when that’s not his motive.

2. Hiro (Masi Oka) and Ando (James Kyson Lee) continue to work to track down the formula, but are also working alongside Daphne, who seems to be telling them what they have to do next.

3. Meredith (Jessalyn Gilsig) gets trapped by a man whose powers seem to be to control anyone he wishes, and Claire (Hayden Panettiere) and her mother Sandra (Ashley Crow) go off to save her and end up get trapped themselves.

4. Daphne (Brea Grant) meets up with Parkman (Greg Grunberg) and he tries to convince her they are meant for each other and he’s trying to save her. She’s not into the whole idea at this point.

5. Peter (Milo Ventimiglia) and Sylar (Zachary Quinto) continue their struggles with their powers and with each other.

6. Big Daddy Arthur Petrelli (Robert Forster) sucks the life force out of Adam (David Anders), which allows him to get off life support.


First of all, I am officially l sick and tired of Suresh. He always was the most annoying character of the show, and now that he has what seem to be evil powers, he’s even more annoying. What I don’t get is why, in a previous episode, he was able to trap Maya in his cocoon-like trap, and she somehow couldn’t use her own super deadly powers to kill him at that time. Did I miss something, or wasn’t she conscious at one point when he trapped her on his trophy wall? And, once Tracy got loose and got Nathan loose, why didn’t Nathan just grab her and fly out of the room, or can’t he make simple indoor flying moves? Can he only zoom at high speeds outdoors? I guess I don’t know why he couldn’t use his flying to get away.

As far as Hiro and Ando, the “killing” of Ando last week was an obvious red herring. I hate red herrings. But, I have to admit that I found Hiro’s attempts to catch up with the man in Africa who can see the future quite entertaining, as Hiro gets clobbered on the head not once but twice. What I don’t get is whether Hiro uses his powers or not, the guy can still see the future and predict what Hiro will do to catch him, right? So why was the guy in Africa so impressed that Hiro caught up with him by NOT using his powers? The guy still new he was coming. But I guess he felt he had to make the point that Hiro still needed to use his brains, and not always rely on his powers. Snore.

The whole story line with Meredith getting trapped by puppet master guy, and Claire and her mom coming to save her was a waste of time and contributed nothing to advancing the overall story, in my opinion. And the outcome of spin-the-gun-Russian-roulette segment was completely predictable.

The Daphne/Parkman relationship also doesn’t do much for me, probably because this show is famous for showing people the future but then not having it happen exactly that way. So Parkman’s attempt to help her will probably change the future, but maybe in more ways that Parkman may want or not want. Still, it seems irrelevant to the overall story. It also seemed such a waste for Daphne to have Parkman wait all day at the airport for her, when she just blew him off when she returned.

Peter and Sylar’s struggles, both with their powers and with each other, are getting a little repetitive. Sylar’s love for his mother – who is now in a coma that we know has been induced by a mind-game on the part of her own husband - seemed a little thin to me, seeing as he hasn’t really known her all that long.

Pinehearst seems to be tying everything together. Its logo has been popping up everywhere lately, and also showed up in the first season. Big Daddy Arthur Petrelli seems to be big man on campus at Pinehearst. Despite the fact that he has been on life support for what appears to be a long time, he suddenly becomes healthy after sucking everything he could get out of Adam. He also seems very happy to almost do the same to his own son Peter. At least, Peter doesn’t instantly decompose as Adam did, as Adam seemed to age his entire 400 years in a matter of seconds. Arthur’s power is to steal people’s powers through physical contact, and it made me wonder, why didn’t he find someone else to heal him sooner? I guess he knew of no one else with powers to heal or to live forever. In fact, I wonder why he didn’t just snap up Claire for her never-die powers? I guess I lost track of exactly what made Adam different from Claire and why Adam was the guy Arther needed to restore his health. Like Claire, Adam couldn’t die, but was there also some other power? Still, this storyline has the most promise and made the episode worth watching. Finally we may get to see a little bit more of the big picture behind the whole group of “heroes” and “villains”, and it may get interesting now that Daddy Petrelli seems to be getting even more powerful.

But, I think the story needs some credible successes. Claire using her ability to help save Meredith and her mother is just not enough. Hiro and Ando, while quite entertaining, need to see some positive results from their efforts. I know that having too many good things happen can rob a show of conflict and with it, drama. On the flip side, having too many things go wrong, or to have so many bad things happen, also can make for a dull show. I think that Arthur Petrelli coming into play in the Heroes storyline may be the kick in the pants this show needs.


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Monday, October 20, 2008

Mad Men: “Mountain King” Reaching A Climax

The AMC series “Mad Men” continues to impress me with its method of weaving multiple stories and characters together without being overly confusing. It also makes me feel something for almost all the people involved. In some cases I want things to go well for a character, in other cases, I don’t wish them well at all. It slowly draws viewers in. That’s the sign of a well written and thought out series. This season of “Mad Men” is one that has built up slowly over time, to the point that one feels like they are a fly on the wall, watching these people’s lives unfold right in front of their eyes.

In this second last episode of the season for Mad Men, “The Mountain King”, Don Draper (Jon Hamm) has continued in his drop off the radar as he’s still in California. Betty (January Jones) is struggling with her daughter’s behavior and her questions at home. Peggy (Elizabeth Moss) gets aggressive and as a result, gets her own office. The proposed merger between Sterling Cooper and Putnam, Powell, and Lowe is in play. And for Joan (Christina Hendricks), the tarnish is starting to appear on her relationship with her fiancé.

Don is having a crisis of sorts. He’s in San Pedro, reconnecting with Anna Draper, the wife of the man whose identity he assumed. We see Don (AKA Dick Whitman) flashing to the past, with his early encounters with Anna where she calls him out for not being the real Don Draper. He tells her the truth how he assumed Don’s identity, and they seem to become very close over the years. He even seemingly asks her permission when he wants to marry Betty, but of course it’s partly because he needs a divorce from Anna to keep things legal with the identity of Don Draper. Of course, Don will support Anna, and he also keeps the secret from Betty. Anna even tells him that she “always felt we met so both our lives could be better." But Don, looking at a book of poetry at Anna’s home called “Meditations in an Emergency,” seems to be feeling more disconnected than ever. Anna attempts a tarot card reading that she seems to imply good things for Don, yet it seems clear that Don just can’t see anything positive.

Back at home, Betty goes for a cigarette and realizes she’s a little low on them, and she finds Sally (Kiernan Shipka) smoking in the bathroom. When Betty tries to administer discipline, Sally hits Betty with a low blow, changing the subject and bringing up her father and why he’s not home. Sally also says that Don “left because you're stupid and mean," and "why won’t you let him come home?" Betty seems to be off kilter about the matter, but later, seemingly bribes Sally with a new pair of riding boots after which she tells Sally that she and Don are having problems. There may be new cause for concern, when after Sally asks to go riding, Betty stands up and both Sally and Betty realize that Betty has left blood on the couch.

Meanwhile, back at Sterling Cooper, life continues. Merger talks are in the works. Even though Don is partner, Bert Cooper (Robert Morse) says that his voting power wouldn’t have an impact, so they go ahead and vote to make a counter offer with the merger without Don’s input. Bert’s sister Alice, who seemed to be pushing Bert hard to go along with the merger, gets in a perfect zinger at Roger (John Slattery), when she tells Roger that he has "children to think of." When Roger corrects her, "I just have the one," she dryly responds with Alice's perfect, "Really?" clearly referring to his relationship with Jane.

Peggy is working on the Popsicle account with the rest of the team and comes up with the idea that really helps sell the ad program to the Popsicle people. Feeling confident, she also gets frustrated and annoyed after she gets chewed out by the copy machine repair man, who seems to assume that because she shares the office with the machines that she’s a nobody at the company. Peggy carefully ambushes Roger and states her case to take over Freddy’s office, and he compliments her on her balls in doing so. He agrees to the move, and her peers are shocked, probably jealous, when they see her moving in to the big office next to Don's. She also jokingly says to Peter that sleeping with Don is really paying off.

Peter (Vincent Kartheiser) is very upset when he learns his wife Trudy has made an appointment with Spence Chapin for an adoption. At home, he fights with her, and throws dinner out the window. But his anger with his wife comes back to haunt him, as his father in law, Tom, who is with Clearasil, tells Peter the Clearasil account is up for review, a clear threat to Peter. At this point, Peter doesn’t appreciate the blackmail attempt, so he tells Tom to just pull his account now. Peter later confides with Peggy that he’s not sure how Don will take the loss of the account.

Unfortunately, things aren’t looking very rosy for Joan. At home in bed with her fiancé the doctor, Greg (Sam Page), she makes an advance towards him, getting on top of him, a maneuver to which he is says he is unfamiliar. He wonders where she learned it, and she implies that she really has no sexual past. He brushes her off, saying he’s tired. Later, when Joan brings Greg to the office, Greg seems to pick up something between Roger and Joan, and decides to take action. He asks Joan to go into Don’s office since Don is not there, pushes her onto the floor despite her repeatedly saying no, and he forces himself upon her. Joan’s eyes go blank as she stares off at the floor. The next day, when Peggy is moving into her new office, she strikes up conversation with Joan, and Joan seems almost unsure as to how to respond about questions of her upcoming marriage. Clearly Joan is having second thoughts about Greg.

As the episode draws to a close, we see Don, walking into the surf, alone. It’s not clear to me whether he is feeling bad about himself or good. But it does almost seem like a baptism of sorts, where he is letting the waves wash over him and take away all of his sins. It’s hard to tell if it means that he wants to start a new life in California, or, if he’s just washing away a troubled past so he can go back to his wife Betty and start over.

For Don, though, the stakes are high. He could stay in California, disappear, and start over again. But if the merger goes through and he doesn’t return, he’s walking away from a small fortune. On the flip side, if he returns and the merger goes through, he could find himself working for Duck, who seems to be anxious for some payback. Betty seems not to want Don around, yet she is becoming more destructive to her so called friends because it seems she wants them to hurt as she is hurting. Are there other problems with Betty, and is her bleeding a sign she is pregnant, miscarrying, or another medical problem and will this force Don back home?

We may see Joan decide that she wants to be her own woman and not someone just attached to any man just for the sake of saying she’s married. While Greg violated her in a physical way, it may also have been an emotional attack on Joan’s own self image. Will it be a wake up call for her to change how people perceive her, and decide what kind of person she wants to become? For now, she seems to give the impression to Peggy that everything is fine with Greg, and it’s hard to tell if she’s doing that because she wants to believe it herself, or of she just wants to buy some time to figure out what to do next.

I also see changes coming for Peggy. Taking the initiative to get her own office – and a nice one at that – may give her an extra shot of confidence that may make her more aggressive. This could be a threat to her male co-workers, who seem to have underestimated her. But, was the symbolic celebration drink from the stash that Freddy left going to turn into a problem for her later on, if she thinks she must drink to keep up with the boys?

But of course, while Bert Cooper seems to make Don Draper out to be a small player when it comes to the company partnership, we all know that Don is the glue that holds the whole company, and probably the whole Mad Men story, together. Will Don’s romp in the surf wash away his past and will he stay in California and start over? Or, was he just washing away his guilt for what he’s done in the past, and will the reality of an impending merger, and possible medical issues with Betty bring him back home? The season finale next week will hopefully provide some answers.



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